All Visual Posts
Seventeen Seconds
Photo Narrative
“Seventeen Seconds”
featuring Model: Titus Abad
all Photographs by Michelle Gemma
Eolia Mansion at Harkness Park, Waterford, CT USA
Photo Captions from the album “Seventeen Seconds” by the Cure (1980) Fiction Records
I picked up this album in 1992 at the Heathrow Airport in London on a trip with my friend Matthew Hannan, on our way back from a visit to Megen Cox in Scotland.
An important trip as I brought a camera along and shot my very first roll of film, almost completely damaged by the airport x-ray. But the remaining frames, developed with assistance by Matthew Mclaughlin at the first Greenman Collective at Alice Court in Pawcatuck, Connecticut, led to the cover shot for Green, the Red Beard, a book of poems by Hannan, on Hozomeen Press. Full Circle, here we are, together again at PortFire.
Moon in Capricorn
CAPRICORN
featuring Model: Piper Meyers
Coogan Farm
Mystic, CT USA
Photograph by Michelle Gemma
new film picked up from the Lab:
120mm Ilford Delta 400 Pro film shot with Mamiya 7 scanned on Epson Perfection V600 Photo
from the new series: Personal Universe, an astrological study starring the model stable of Michelle Gemma (2017-2018)
https://michellegemmaphotography.com
https://michellegemmaphotography.wordpress.com/
IRNP 🎵 🎥8x
Here is a music-only edit of the Isle Royale footage – 8x speed, no voiceover
Posted by Victory Garden on Monday, August 6, 2018
💯OC, babe
Interested in seeing the actual travel videos? Let the moderators know!
Thanks for watching!
“There is a Light that never goes out”
SCRIPT FOR MICHELLE GEMMA PHOTOSHOOT
featuring Model: Alycia delosSantos as my Leo for the forthcoming series: “Personal Universe” (an astrological study of the zodiac featuring twelve models portraying their sign)
today’s locations: House of 1833 in Old Mystic and the Mystic Hilton in Mystic
“There is a Light that never goes out”
3 PM: arrive at the House of 1833:
You are my Leo goddess queen, and you are invited to the Mansion for a party and you are the honored guest.
We are going to get you dressed up in a fur coat ; in a beautiful vintage backless burgundy dress and you’re ready!
You’re ready for the honor, for the party ; to celebrate and be celebrated!
You show up to the Mansion as expected: you stalk around waiting for it:: you go room and room and it’s empty:
no one is there: the fireplace is not lit.
You change outfits hopeful that the party is about to start:
we were just a little premature:: more stalking; as in leonine prowess::: “what is going on?”
So we go to the hotel for the party:
4 PM: arrive at The Mystic Hilton
There are lights there are people: there is a fire:::
You can dance
You can see people and be a lioness.
I keep thinking of the Smiths lyric:
“Take me out tonight
Where there’s music and there’s people
Who are young and alive
Driving in your car
I never never want to go home
Because I haven’t got one anymore”
So this is the triumphant realization of our arrival at the hotel:: we are seeing people and we are happy and at peace!
You have fun then at the end we wrap you in velvet swaths and you retreat to your den to relax and to dream:::::
“There is a Light that never goes out”
all Photographs by Michelle Gemma
Panama Diaries, Part II
Small towns always have secrets. And Pedasi, Panamá is no exception. Guadalupe, the retired Spanish journalist who pretends to be my aunt knows where all the bodies are buried. Sometimes literally. Her investigative instincts are still strong.
She tells me of the rich, old Frenchman who owns a hotel in the hills made entirely of bamboo and who has a penchant for underage prostitutes. Now he is dying of cancer and gets airlifted by helicopter to the nearest hospital for treatments that won’t save him. The bamboo is cracked and crumbling, parts of his hotel tumbling into the turbulent sea.
She tells of the family who owns the most land in and around town. A twisted yarn of greed, pistolas, inheritance as devilish as King Lear. They make my neurotic Jewish clan back in New York seem almost normal.
“The grandfather put his sister in the mental hospital even though she isn’t crazy, so he could steal all her land and dinero.” Guadalupe tells me. “He calls himself ‘El Pato Mas Rico’ because he saw the movie with the rich Donald Duck.
The best antidote to your own fucked up family is someone else’s.
Some nights when the town sleeps, we drive through the empty streets out on a dirt road towards the sea and she points into the dark to a bridge where a tourist was found dismembered over drugs, the pretty low buildings I know are white washed and brilliant in the sun where an expat hung himself.
Bats swoop like skydivers in charge of their own destiny. An owl eyes me from a wooden post, preening in the spot-lit beam of our headlights as we pass.
“Owls are good luck.” Guadalupe says.
But I know they signify change, seeing through people’s actions to their true intentions, death.
In exchange for secrets, a room in her rose red casita surrounded by palm trees, and mango groves, her delicious cooking, I help Guadalupe work the land. A good way to occupy my dream-filled head and steer it away from thoughts of the past and my uncertain future.
I coat palms with calcium (now prohibido because narcotrafficantes use it to mix with cocaine), I chop off old brown fronds with a machete to help new healthy shoots grow, wishing it was as easy to rehabilitate my life.
Guadalupe’s firetruck colored lawnmower is the same model as the one my grandparents had. Pulling the cord, making the motor rev to life brings back lost summers in Long Island, a place I can ever return to.
Their old house in Great Neck is gone now. Summers of gin and tonics, barbeques on the sagging wooden deck, my first real love and I swimming naked in their pool while my grandparents were in Europe. Tequila drunk photoshoots and after smoking joints with laughing friends, our tan legs dipped in the water.
Before all that, my parent’s wedding held before the swimming pool was dug out of the ground, a green cartoon Tyrannosaurus Rex floatie I paddled towards my grandmother’s open arms in, watching my friend almost drown the summer we were eleven.
That pool now fills my mind. I see it as I last saw it: coated in algae, dead leaves floating on the dark surface, a murky lagoon hiding the corpses of drowned birds.
This tropical lawn is vast. A distracting sea of Emerald City green hierba that seems to sprout six inches with every rain storm. These are shoots that resist deforestation, that fight to survive. I am learning from them.
Butterflies flit all around me and the lawnmower’s blades chop off the heads of twenty cornellias at once, the weeds whose wispy white heads hold seeds explode in a million wishes floating through the tropical sunshine.
What do I wish for? That our problems didn’t follow us no matter how far we travel, for a chance at freedom, for peace with the past, for a beer and Wifi.
On my Spanish burner phone, the only device with a somewhat reliable internet connection, my younger brother emails from New York to say my grandmother has an electric wheelchair, she’s running for council in the senior center where she lives now, she has her “mojo back.” But I wonder how many secrets she’s still keeping from our family. I had a front row seat to the deterioration of my grandparents and how much they hid.
Here, Guadalupe and I explore hidden beaches. We drive over lush hills with the unique curves of peaks once covered by ocean, towards the border with Costa Rica. In an even smaller town called Las Cañas, we perch in a canoe and a local fisherman guides us to a deserted island.
We walk through waist high beach grass, picking marañon and mangos. Our arms fill with fresh fruit. Across the island is a nesting ground for sea turtles, a pure white empty beach curves away into water the same extra azul as the sky. Misty islands rise far out in the sea.
Empty soda cans, amber beer bottles and chip bags litter the shoreline.
“Que triste.” Guadalupe says.
“Sí.” I agree.
“A man rents tents to tourists on the other side of the island.” She shares, “I heard he went crazy and sells drugs now.”
We collect as much garbage as we can. We spread towels and eat our fruit under the shade of a palm. I help Guadalupe, who at sixty-five has a bad knee, walk into the warm waves. We forget for an afternoon how destructive people can be.
Ghost Town
featuring Model: Alycia delosSantos
House of 1833, Old Mystic, CT USA
Photograph by Michelle Gemma
Kodak TMAX 120mm film scanned
https://michellegemmaphotography.com
https://michellegemmaphotography.wordpress.com/
To The Tower
Tristful tower! Up stumbling stairs
Of severe ascent, to a laden daze,
You are an emblem of the years
Of shade — a hiding heart —
The muddled maze of this lost art
As Kinski’s starkest gaze;
But when within this arch she peers —
Which glimmers then, and shifts —
Why, then, the stilling of the fear
Her shimmering persists;
For in my heart — as in this tower —
Her specter fallen lies —
This heart may rise and cease to cower,
Beside her woken eyes.
(photos & poetry by Tarbox, in the style of Edgar Allan Poe’s “To The River”)
untitled
Long Day’s Journey Into Night
featuring Model: Kathryn O’Reilly
all photographs by Michelle Gemma
Photo Shoot for Aquarius:
Personal Universe series
24 August 2018
Bluff Point, CT USA
Eve of the Full Moon
script: Eugene O’Neill, Long Day’s Journey Into Night excerpt:
https://michellegemmaphotography.com/
https://michellegemmaphotography.wordpress.com/