My first big scoop! Scott Timberg, RIP, was a force upon the Mystic Art & Culture scene in the 1990’s, seemingly at every rock show, poetry reading, art exhibit, with pencil and pad in hand.
Thank you to the Day for digitizing its archive!
Next up- ads from Stitch in Time Boutique, circa 1979
As the legend goes, Hades rarely ventured out of the underworld. But, the few times he did, he encountered Persephone. She was the alluring daughter of Zeus and Demeter.
From the moment he first set his eyes on her, he was drawn to her and instantly fell in love. So, Hades went to his brother Zeus to consult him. Zeus had previously promised Hades one of his daughters in marriage. And when Hades told him that he wanted to marry Persephone, Zeus obliged.
He knew, however, that Persephone’s mother Demeter would never allow her daughter to marry the dark god of the underworld. Hades was heartbroken that he would never be able to have Persephone as his wife. So, the two brothers hatched a plan that would see him marry the woman he desperately loved.
The next morning, Demeter and her daughter descended upon the earth. The two were incredibly close just as most mothers and daughters are when girls begin to transition into womanhood.
Demeter was the life-giving goddess of agriculture, grain, and harvest. She provided mortals with plants, food, and vegetables. She also gave them the ability to cultivate wheat.
She showed them how to plant the seeds, nurture them, and harvest them. She even taught them how to grind the grain to produce flour, which they could turn into bread. Demeter left her daughter with the nymphs of the sea to watch over her while she went to tend to her earthly duties.
Zeus knew that the nymphs would never let Persephone out of their sight for fear of Demeter’s wrath. So, he had Gaia plant an enchanting narcissus flower in a nearby garden. As Persephone wandered away from her mother and into the garden, she saw the flower and was immediately drawn to its beauty.
“The body’s wisdom musically in touch and in tune, sensing the resonance of cellular awakening. Eager and enthusiastic and bright, you have given over to the process. Always in midstream. Seizing upon opportunities, challenges, openings. Needing to know just how it feels at the micro levels. What is it like to be free, to be joyous, to be unrestricted, here in the body, in the world? You seek the full-on motivating spark of knowing what it feels like to be tuned out and discovering what it really means to be tuned in all the way.” from Sagittarius at 23 degrees by Ellias Lonsdale
In much the same way in which he characterized planets and asteroids as powerful, gendered beings in Inside Planets, Ellias Lonsdale gives new depth and nuance to degree analysis, an area often seen as technical or reduced to cliche.
Lonsdale builds on three main degree interpretations: Dane Rudhyar’s concept of the Sabian Symbols described in The Astrology of Personality and An Astrological Mandala, Marc Edmund Jones’s Sabian Symbols in Astrology, and John Sandbach’s recent Chandra Symbols. Beginning in 1988, Lonsdale worked with his wife Sara in tracking the Sabian symbol, the Charubel Symbol (the most useful of the other sets of degree symbology) and the Chandra Symbol. After Sara died in 1993 Lonsdale worked with her (as Theanna) and their friend Alita “to pierce through the veil,” as he says in his Introduction, “to find the angel behind each degree. This ultimate version is won from death and fused with rebirth and each word shows this power.”
The degree symbols are most useful in elaborating a personal birth chart. One can learn about personal cycles from studying the place of a transiting or progressed planet by degree at a given time, revealing collective as well as personal timings. The Zodiac degrees also act as an oracle. One can open the collection anywhere for a given day, or in reponse to a question. The degrees will reveal what is happening now and if we are attentive and responsive to the cues, what is required of us. Comparing charts of friends and famous people who are known for certain qualities, one can gradually discriminate among the degrees.
These beautifully written and fully imagined readings of the Chandra degree symbols speak to a deep level of personal change and authenticity.
Ellias Lonsdale is the author of Star Rhythms, The Book of Theanna, and Inside Planets. He lectures widely on astrology and is an astrological counselor in Santa Cruz, California.
https://aquaorfire.net/astrology/inside_degrees/inside_degrees.html#sagittarius
featuring Model: Titus Abad
as Sagittarius for the Personal Universe Series
Photograph by Michelle Gemma
PARADOX VISION
From The Polarity Experiments for Emporium Photo III October 1995 Mystic, Connecticut, USA
featuring Model: Bethany Webster
Collaboration with Mark Wallace and his “Tree Wounds” series, Paradigm of Tree
Mark tells us, “The tree, through the ages, has been seen as a symbol of balance and fulfilled potential. The viewer, upon first seeing these photographs, may only be affected by the notion of the wound. But upon finding that the wounds are those of the trees, the sensation becomes a deeper, unexplainable psychic phenomenon. By combining the tree and the human form I hope to provoke the realization that modern Western culture is out of balance with nature and itself, and expose the need to regain the connections.”
Happy Birthday Bethany who does great work with her “Mother Wound” psychology and education.
featuring Model: Morgan Vail as Cancer for the series Personal Universe
and also the subject of the forthcoming book, A Portrait of the Artist as a Young Girl
sneak peak here https://michellegemmaphotography.com/a-portrait-of-the-artist-as-a-young-girl-2/
a continuum of photographs of Morgan from age 12 to age 31 and beyond
all photos by michelle gemma
35mm film that i developed and printed at the greenman collective darkroom at taugwonk spur, and later in the darkroom in my backyard in mystic.
check out the root of twinkle volume 6 issue one summer 2020 here on portfire, plus the back issues to see more photographs of mystic life.
featuring Model: Morgan Vail
as my Cancer from the Personal Universe Series
shot during a partial Solar Eclipse
An international day to celebrate the life and work of Welsh poet Dylan Thomas, held each year on 14th May, the anniversary of the date when Under Milk Wood was first read on stage at 92Y The Poetry Center, New York in 1953.
“International Dylan Thomas Day gives us a chance each year to celebrate Dylan Thomas’s achievements. There is still the enthusiasm for a national day to mark my grandfather’s life and legacy and we want to keep May 14th as a prominent date on the literary calendar.
Dylan Thomas’s writing has travelled through time – it is as relevant today in our troubled times as when it was written sixty-five years ago. It continues to travel across the globe reaching new audiences everyday. His poetry lives on.
We invite you to tell us about how you are going to mark the day and encourage you, wholeheartedly, to get involved and to love the words.” — Hannah Ellis, Granddaughter of Dylan Thomas
https://www.discoverdylanthomas.com/news-events/international-dylan-thomas-day
The photographer Rollie McKenna was at this 92Y reading of Under Milk Wood, to photograph Dylan Thomas, and she writes this in her autobiography, Rollie McKenna: A Life in Photography (Knopf, 1991),
“Dylan Thomas’s career didn’t truly take off until he ‘hit’ the United States. Readings at the Poetry Center and tours throughout the country where–in his own words–he ‘boomed and fiddled while home was burning,’ all but devoured him. The money he made, so necessary to support his family, passed through his fingers like water. The praise, so addictive, was fleeting. Still, he wanted to read again to his vastly appreciative American audiences and, above all, to write the final ending to his play for voices, Under Milk Wood.
Frenetic reading tours, sycophant-laden parties and late-night bar-hopping exhausted him, and just an hour before rehearsing the actors for the first New York performance of Under Milk Wood, Dylan was in particularly bad shape. On arriving at the Poetry Center, he vomited, declared that he could not possibly go on and collapsed in the green room. After half an hour, he was shaken awake. Pulling himself together, he directed for an astonishing three hours, urging the actors over and over: ‘Love the words. Love the words!’ I was so dumbfounded by his recovery that I almost forgot to shoot.
When the night of May 14, 1953, arrived, the theater was packed. The audience, silent at first, then tittering, finally exploded into laughter on realizing that this was no highbrow affair but a loving, ribald tribute to a village. Dylan took fifteen curtain calls as tears slipped down his face.”
https://www.nytimes.com/1991/11/17/books/pictures-from-a-life.html
In celebration:
featuring Model: Liz Walz
Stonington, CT USA
Photograph by Michelle Gemma
for the series “Personal Universe”