Catbird

there’s a catbird in the Xylosma
not nesting, exactly, but living
or hiding from the rain that’s recently returned
after just one day to drain
assess the damage and be thankful for none

the catbird flits about
and I can’t decide if
it is doing so nervously
or in a rather cavalier fashion
chi-chi-chippering away
either to herself or at me

she’s peeking through the cool dark of her dense shelter
from branch to branch hopping
getting up to eye level
maybe to assess the threat
and be thankful for none

I, perhaps nervously, step away
from the bulging hedge
begging to be pruned
pack a bowl
and smoke it
as the catbird looks on

an inspiration

Ralph Gibson, capturing a certain classical chiaroscuro, wading in the stark, yet puzzling enigmas of a fleeting glance, summoning calculus-inducing curves –

 

Slingshot Single, by Sodium Lights


Slingshot FrontSodium Lights
 have released a follow-up single to their scintillating Transtulit LP from 2011. After the sessions that completed Transtulit, the band decided to go even further into the deep house foundations that made up the electronic side of the group’s electro-rock.

The guitars were put inside their cases, and programming began in earnest during the winter of 2011-12. The band wrote an album’s worth of new material in a few months, and singer Julia Farrar began to add vocals to the rough ideas. As the songs began to take shape, the band began to realize that releasing a single from the best of the accumulated material would actualize the ideal of the “trance pop” songs they were trying to create.

Slingshot BackInstead of following up 2011’s Transtulit with another full length LP, Sodium Lights decided to release singles of these sessions, of which “Slingshot” is the first.

New Luke Hunter Single: Heart & Home

Each of Luke Hunter’s releases are more evocative and focused, driven with emotion and seeking our hearts.

Heart & Home is a proper single, assisted with James Burke on bass, and Tyler Crawford on drums. It gets in your head, it gets in your heart, and it hits straight home – a masterpiece and proof that Luke has truly become an artisan songwriter. The production and mixing, by Alex Pellish (17 Relics, Portersville, Vera from Alice, Highlighter, Sodium Lights), further refines and enlightens this immediate indie rock classic.

And cued right up, the backside features the daedalian guitarwork of Leafmeal, fleeting across unraveling midsummer meadows, across balearen lovers spread out beneath the wide blue sky – twirling in so many memories brought back from the fade –

Absolutely fantastic.


The Last Stoup, Issue 10, April 1993

Mason’s Stoup 10