A day in the life of an American based Drone operator – a modern breed of warrior ‘Commuting’ examines the dramatic changes in the way modern battles are waged and questions the banality of remote, commuter warfare.
Weatherall is the first music video from Ellery Twining’s debut solo album “Revenge”, released 17 January 2022. It is a deep dive into intergenerational relationships… Written and directed by Mystic photographer Michelle Gemma, featuring archival photographs from Mystic’s 1990’s underground dance party scene at Mars Hall, alongside video footage from last decade’s recreation of scene at the Workshop. Edited by Jim Canty. The song and video are a tribute to British producer/DJ Andrew Weatherall (1963-2020), who passed as Twining was writing the songs for “REVENGE.” Song credits: Ellery Twining (all Noises) Dave Bentley (the Bass Guitar) Brad Bensko (Electric Guitar) Jason Curland (Percussion) Produced by Eric Lichter at Dirt Floor Recording & Production Haddam, CT Engineered by Guido Falivene Video credits: All photographs and video by Michelle Gemma Except two indoor Mars Hall dance party photos by Kerry Niering and Mars Hall demo photos by Erin Pipping Models: Carly Straub and Jane Anderson Photographed March 2022 in Mystic, CT, USA
On May 1st 1893, President Grover Cleveland opened the Columbian Exposition on the shoreline of Lake Michigan in Jackson Park on the south side of Chicago. No matter how strong our sense of nostalgia is, the past is gone. But what if we could bring pieces of it into the present?
On the 129th anniversary of that opening, we released the first views of Chicago 1893’s augmented reality experience. Chicago 1893 has been working for the last year to do just that by recreating the largest buildings from the event that were originally located around the Grand Basin. This project aims to create museum-like digital assets focused on historical integrity and architecture with the intention of expanding broadly toward experiences focused on learning and richer functionality for entertainment.
These structures are being rendered in 1:1 scale. The goal is to allow people to perceive the scope of the buildings the way those in 1893 did, if sculptures loomed from 100 feet above they will within augmented reality as well. Just imagine: classical architecture, anywhere in the world — No matter where!
Ever since HG Wells published “The Time Machine” people have been fascinated with the idea of time travel — the Chicago 1893 XR project begs the question: “what if you could bring the past to back life?”
The Columbian Exposition is arguably the most notable World’s Fair of all time but very little of its architectural legacy remains. Over the last four years we have been diligently scouring archives to compile the documentation required to render the buildings in digital 3D for augmented reality which were created by some of the finest architects of the Gilded Age.
Now we are in the final stages of Phase 1’s buildout which includes the major structures located around the Grand Basin. The plan is to make the first asset available to the public this summer. It will be the Administration Building, a Beaux-Arts structure designed by architect Richard Morris Hunt who is also responsible for the entrance facade of the Metropolitan Museum of Art in New York City and the pedestal of the Statue of Liberty.
You can expect more details as we approach this initial release.
Join us and see the Columbian Exposition come back to life.
“The body’s wisdom musically in touch and in tune, sensing the resonance of cellular awakening. Eager and enthusiastic and bright, you have given over to the process. Always in midstream. Seizing upon opportunities, challenges, openings. Needing to know just how it feels at the micro levels. What is it like to be free, to be joyous, to be unrestricted, here in the body, in the world? You seek the full-on motivating spark of knowing what it feels like to be tuned out and discovering what it really means to be tuned in all the way.” from Sagittarius at 23 degrees by Ellias Lonsdale
In much the same way in which he characterized planets and asteroids as powerful, gendered beings in Inside Planets, Ellias Lonsdale gives new depth and nuance to degree analysis, an area often seen as technical or reduced to cliche.
Lonsdale builds on three main degree interpretations: Dane Rudhyar’s concept of the Sabian Symbols described in The Astrology of Personality and An Astrological Mandala, Marc Edmund Jones’s Sabian Symbols in Astrology, and John Sandbach’s recent Chandra Symbols. Beginning in 1988, Lonsdale worked with his wife Sara in tracking the Sabian symbol, the Charubel Symbol (the most useful of the other sets of degree symbology) and the Chandra Symbol. After Sara died in 1993 Lonsdale worked with her (as Theanna) and their friend Alita “to pierce through the veil,” as he says in his Introduction, “to find the angel behind each degree. This ultimate version is won from death and fused with rebirth and each word shows this power.”
The degree symbols are most useful in elaborating a personal birth chart. One can learn about personal cycles from studying the place of a transiting or progressed planet by degree at a given time, revealing collective as well as personal timings. The Zodiac degrees also act as an oracle. One can open the collection anywhere for a given day, or in reponse to a question. The degrees will reveal what is happening now and if we are attentive and responsive to the cues, what is required of us. Comparing charts of friends and famous people who are known for certain qualities, one can gradually discriminate among the degrees.
These beautifully written and fully imagined readings of the Chandra degree symbols speak to a deep level of personal change and authenticity.
Ellias Lonsdale is the author of Star Rhythms, The Book of Theanna, and Inside Planets. He lectures widely on astrology and is an astrological counselor in Santa Cruz, California.