All Text Posts

As soon as the door closes on the mother-in-law apartment, I turn on the computer and log into my Facebook account. I immediately search out Tabitha, to find out if she’s online. Bingo. There she is. I open up the message box and type the following words:

“Hey- do you know any cool bass players looking for a gig in the city?”
“As a matter of fact, I do! My good friend Wall, who I went to school with at Sussex, is a great bass player. And his band just broke up two months ago.”
“How long has he been in the city?”
“Three years, same as me. He’s been playing with this band that just broke up for the past two years.”
“Oh yeah? what was their name?”
“Cause:Effect”
“Cool name.”
“Yeah, they were really great; slinky funk grooves. Wall could add quite a bit to the Piercing sound.”
“That’s what I was hoping to hear. Do you have his phone number?”
“Yeah, hold on a sec…”

It had only taken me five minutes to find the replacement for Rudy. I was well chuffed. I immediately start searching for the online presence of Cause:Effect.

I phone Wall two nights later, and he picks up on the first ring. Tabitha had given him a heads up on my inquiry, and he is very much interested in joining theband; he had even done research on where we were at, referencing several non-Earcandy reviews that we had gotten over the past year.

“I’m all in, unless we play together and it just doesn’t work.”
“No, no, no. I feel totally comfortable with you. Tabitha speaks highly of you, and we trust her intuition, not simply as someone who likes the band.”
“Cool, can you guys come down on Sunday the 30th?”
“Sure. What time works for you?”
“What time works for you guys, I’m just getting into the thing.”
“Wahahahhaa. No worries. How about 2pm, we’ll book a space at the Foundry; 2-5pm?”
“Great. I’ll meet you guys there.”

Earcandy finally debuts the Decisive video on the following Tuesday. It had been a three week grind to get them to run it, and now I was free to spread PR about the video as far as I could reach. Tabitha became an essential ally that I had not counted on before this moment. Over the course of the next few days, her PR acumen opened up a whole new avenue for Piercing; one that I was barely aware of. She was simultaneously shopping the Earcandy link to her contacts, and suddenly fashion/style blogs were running the link. Music was only a small part of their overall focus, so there was more of an impact of being noticed with the lower content ratio. In light of the fact that we were going to be spending at least the next two months rebuilding the band with Wall, I thought the best way to maximize our PR reach was to capitalize on this new found avenue. I envisioned Jocelyn, Todd, and Adrian in a classic Anne black and white photo shoot. But instead of a group shot, have each of them pose solo. I would then shop those photos to these various culture blogs that had at least run a review or linked the “Decisive” video. I had seen some fantastic photo shoots that both Whitney and Phoebe had participated in, but they had the rapt attention of an audience they had established, while we were still building one. But the exposure to the culture blogs gave me the opportunity to showcase each one of
them in that style. Anne is in complete agreement, and immediately schedules a shoot with Joss at 6pm on Saturday.

They shoot within massive Victorian columns; the front of one of the local mansions built on money from the seas in centuries past. Jocelyn is styled by Anne in layer after layer of lace, taffeta, and spangle. The resonance of the photos lies singularly within Jocelyn’s gaze toward the lens- a physical articulation of her insouciance. She nails the shoot, and both Anne and I are bowled over checking the contact sheets later that night.

I kept coming back to the dilemma that seems to exist within Jocelyn. When she arrives two days later to proof the final shots with Anne, I overhear the two of them making plans for a completely new spread, involving June, and Joss; as women re-enacting a Greek myth.

“I was quite impressed with how you approached the solo shoot. You were totally there.” Anne said to Jocelyn upon her arrival. “So, I’d like to schedule something with you and June, say, maybe in the next two weeks, wherever you have a break in your schedule?”
“Oh, I would so love to work with June. She was fascinating to watch making the Spirits video; creating that entire character in the moment. It was inspiring.”
“Is that ok with you, boss?” Anne asked me sarcastically.
“Oh, yeah….. as if you two need my approval.” I replied, just as sarcastic.
“You know how much I love the videos, and the photo shoots. Branching out into modelling is a good thing for the band.” opined Joss.
“I agree.”

Did she want to be a Rock and Roll Star? Or an object of adoration? I couldn’t figure it out. Perhaps she wanted both? If she wanted both, why wasn’t she able to fuse those two elements on stage; the person whom all eyes are upon? They seemed to me to be one and the same- you needed a specific, innate confidence to actualize either. But Jocelyn had the voice. She had the missing talent that most other people would never possess.

The next day is the beautiful summer we had been dreaming of as we endured the worst winter of my lifetime. June 30th, the day of our first band practice with Wall. It had been quite an exhausting twenty-seven days since we let Rudy go, and today would prove to be just as telling toward the definition of Piercing. The phone rings at 9.30, and I hurry down two flights of stairs to Centraal, already thinking the worst.

“TWIIIIIIningggggggg! Wake up my man, pick up the-“
“Hey man, what’s up” it was Adrian. He sounded exhausted. I took a deep breath and was silently hoping the two of them had hung out until the wee Brooklyn hours; wanting to push back our start time. I could pay for an hour we didn’t use, as long as we got in some work, and met Wall in person.
“Wall, me, and Tabitha were having some drinks last night at a bar near Wall’s place.”

Easy.
Rock and Roll.
No worries.

“And he just called me. He got hit by a car last night riding his bike home. We weren’t even drunk, it was like 11.30”
“Yikes. Is he okay? Is he really hurt?”
“He broke his left collarbone.”
“ …… that’s the strap side…… ” I sighed.
“Yep….”
“I suppose that means we won’t be practicing in Brooklyn today?”
“No, that’s why I wanted to get ahold of you, so you weren’t getting ready, and maybe there is some time to let the Foundry know, and maybe they won’t charge us for the time.”
“Maybe.” I knew I was going to have to cover that bill out of my own pocket.
“Okay, cool. I’ll get in touch with Joss and Todd. I’ll call Wall later this afternoon and check in to see where we are at with him. Do you think he still wants to be in the band?”
“Oh, yeah, very much so. He was cussing up a storm this morning when I talked to him; wishes he broke a leg.”
“I’ll talk to you tomorrow once everything is sorted.”
“Cooooool. Thanks dude.”

There is a saying among the artists I know who write for grant money, and they all profess the same thing- it doesn’t matter how many you apply for, as long as you get what you need. Pushing a band through the modern grinder of PR was exactly the same thing; I began to refer to it as the Inherent Internet Resign:

All efforts are a 1 in 10 success rate. If you have 400 fans on your Instagram, you’ll more than likely get no more than 40 likes on a post. If you have 40,000 followers, you can bank on 4000 each post out. So, when I opened the email Monday morning from BATTLECATS, a fashion oriented blog that had both reviewed the “Decisive” single and linked the video, I found they wanted to run the photo shoot of Jocelyn by Anne. And in a stroke of good fortune, because that’s the fortune of consistent hard work, they wanted to run an interview with the other members of the band, in and around seven photos they had selected of Joss.

The very next email was from the Dutch magazine that had gotten in touch with us earlier in the year. They had linked the “Decisive” video as well, and now wanted to do a full page interview with an accompanying photo for their September issue. I immediately replied to Ferry at Gezellig! And told him we would love to talk, and the best time to get all of us in the same room with the time change is about 2pm, our time. Any weekday. Jocelyn had lost her job at the Senior Housing complex due to budgetary constraints, and Todd was off for the summer from school. Both of them had gotten retail jobs in downtown in early June, so It would be easy for all of us to sneak out of work for a half hour in the middle of an afternoon. Adrian would do a separate phone interview once the three Mystic folk were on the record.

The BATTLECATS interview arrived in the email box Tuesday morning; my day off. I dutifully sent out Word documents that they could add their answers to, and pleaded for a speedy return of their replies. The questions were straightforward-

“Describe your music for our readers who may not be familiar with you.”
“You worked with Tabitha Williams for your new video, “Decisive.” What was the shoot like? Who came up with the ideas used in the video? What was your favorite part of the shoot and final video?”

To my utter surprise, all three of them had sent me their meticulous answers by the next morning. I collated the photos into a Dropbox file, and emailed the Word doc to BC’s, as we began to affectionately refer to them as. Two hours later, they would email me back with hearty congratulations and thank yous, and that the interview would run next week. I was taken aback, again, at the speed of the new world. What took months when I began playing music now took hours, if you were paying attention. I couldn’t stop thinking about Thames. If only we had the internet in 1992…..

Ferry’s assistant editor Marcella calls us promptly at 2pm EDT on my landline.

“Hi, how is Piercing feeling today?”
“We’re fantastic!” I reply with the proper muted enthusiasm.
“Ok, I’m going to ask questions to each of you. one at a time, but the questions will all be the same. Is that fine?”
“Sure, Marcella. Anything that works for you.”
“Ok, I’m going in alphabetical order, so Ellery, you speak to me first.”
“Ok, I’m here.”

Her questions are genuine, and I try to keep my responses clipped and to the point. I have a tendency to wax rhapsodic at the most inappropriate time, so I decided to adhere to the new reality- that the kids were the ones responsible for shaping our identity. The last question was interesting, something I couldn’t remember being asked before-

“If you could turn success of your band into something else, what would it be?”

There was only one answer to that question for me.

“Make more music.”

Todd said the exact same thing.

Jocelyn and Todd were eloquent during their time on the phone with Marcella. I could tell they were embracing this world of having conversations with people you had never met, at a time of day you hardly even speak to your closest friends. Over the course of the interview, I could see clearly that i was not the Dad figure making the Kids realize some long lost dream; the entire subtext of the Dad reality seemed to dissolve over the length of that one phone call. That, in and of itself, was indelible progress. I had lost myself in that train of thought, not really hearing every word that Jocelyn was saying to Marcella, but when I heard this answer, I knew what the question had been:

“I’d love to be in a David Lynch film. Anything… An extra, a delivery person, a clerk. But, yeah, that would be a real dream come true.”

We had a show in New London in eleven days, with no bass player to speak of. Jeremy was obviously out as an option, and I couldn’t think of anyone I had approached the previous month that could pull it off with so little time left. And then it dawned on me; there was a way out of this. Brent Davis had told me he would love to fill in with Piercing if the need arose. Well, now was the time.

“Hey man, Twining here.”
“Hey what’s going on? How are you and Anne?”
“We’re doing great. she has been shooting a bunch of new work; the Piercing shoots have really gotten her back on track artistically.”
“Yeah, I’ve seen all of her new work with you guys; as fantastic as she ever was. Tell her I said so, please?”
“I will. Hey, remember when I asked you to fill in for Piercing last month when you were in Carolina?”
“Hahahahaha! Of course I do. Why? Do you still not have a bassist?” I loved his possessive wording of “bassist” rather than “bass player.”
“Yeah, umm, no. We have a gig at Royal Park a week from Saturday. The 12th. Do you think you could do it?”

I knew Brent could do it; as in learn the songs in a few nights and practice once with us while totally nailing the live set. But would he be able to make it?

“Oh yeah! I’d love to do it. I can practice this Saturday, easily. Other than that, it would be hard to get to Mystic before the gig.”
“I totally understand. Let me get in touch with everyone and see if we can schedule a Saturday night, say…. 8pm?”
“I can do 8pm, no problem.”
“Ok, I’ll get back to you by tomorrow at the latest.”
“Cool, I can’t wait to play live with you on drums again!”
“We’re going to rock, kid!”

Jocelyn and Todd get back to me first; they can make practice with Brent on Saturday. Adrian is stuck in the city.

“I have like, no money, and I’m not working this week because the building we occupy is being sprayed for bugs, yaknow; exterminators and shit.”
“A whole week?”
“I think the owners just wanted a blow, yaknow? But I’m still wicked low on cash.”
“I’ll tell you what, I’ll pick you up in New Haven Saturday afternoon, and drive you back on Sunday afternoon. You don’t need to give me any gas money.”
“Ok, that’s cool. I can do that.”
“We really need to practice at least once with Brent.”
“I agree.”
“It’s kind of a big gig.”
“It is kinda a big gig. I want to play as much as you do.”
“Thanks, man.”
“Thanks to you!”

We have a spirited practice that Saturday night at Centraal. Brent is completely within the songs, and the few moments where he misses a spot, we correct in two or three passages of the segment. For the time being, we are still alive and moving forward. In a scant few weeks, Wall will be the new permanent bass player, and we will be set up to make our next strides in NYC, and begin stretching our boundaries, to include other cities for the first time- Boston, Hartford, Providence, Portland. And if we can solidify those routes, we can then expand into Philadelphia, and Baltimore. That was the tried and true method toward building an audience on the East coast. After brunch on Sunday morning, I drive to the Palace to pick up Adrian for his return trip to NYC; I was transporting him on the Town-to-New Haven leg of the trip.

Sunday was the 7th of July, but what I had not anticipated was that this particular weekend was the unofficial Independence Day Celebration within the GSECAZ. With the 4th of July falling on the Thursday before this weekend, I should have known the highway would be jammed with travelers; their power drive is to get home before sunset on Sunday night. As we descend the last mile of the Gold Star Bridge, I can see the traffic stalled across all three lanes a mile ahead. I exit on the local service road, to gauge whether or not this was a momentary backup, or something that could last for miles. As I approached the last exit on the frontage road, it seemed the highway was clogged for miles; as far as we could discern. I took a hard right onto the exit; knowing I had one last secret tool in the box to avoid a day long commute. I would tap into my father’s driving knowledge. When I was a teenager, I could navigate the entire GSECAZ effortlessly. The same tactic served me well while on the road all of these years. I knew every back road from Mystic to NYC. We didn’t need a highway to get Adrian to the train on time.

When I merged onto State Road 80, I asked Adrian what he thought the role of the musician was in today’s world.

“I think it’s the same as it has always been- provide an outlet for the people, for the audience.”
“I agree”
“Why do you ask?”
“Do you think we provide that thing for our audience?”
“Almost.”
“What are we missing?”
“I think we have everything. The songs; they matter the most. Without songs you ain’t got shit. We got songs. We just need to own that shit, you know what I mean?”
“I agree”

After a slight silence, I allowed myself to let Adrian know what I had been thinking since the Spirit video was linked all over the musical net.

“I don’t have years to pursue these goals. I’m kind of on a tight schedule.”
“I know. I think everyone knows. It’s why we’re waiting for Wall, right?”
“Yes.”

Monday
Record a demo of Detainee on 8 Track for Brent / Soundcloud
Schedule Anne photo shoot with Todd
PR BC’s interview
Check train times / NYC to NL for Brent and Adrian
Print flier FFR for New Haven show in two weeks (Heirlume) / weds trip

Jocelyn and I head to New Haven to hand out fliers for our show there in two weeks. We’ll be opening up for Heirlume on the night of our show, but tonight they are opening for a band with a huge cult following. Marc at Myopic Insights had booked us for the show largely because Piercing is starting to get a serious local buzz; but he also remarked that he remembered me making it to the WESU radio interview to promote the Scare Tactic show back in March. You have to be willing to play the game. The flier I made had to be sent into the Heirlume people for approval, before they would let Marc use it as the main show image. Fortunately, the very first submission was accepted by the band- a relief and a sense that we were calibrating the details as they arose. Tonight was the very first time, in all the years I had known Joss, that we went to the same show together- outside of the local gigs, that is. I was curious to see her take on what Heirlume singer/guitar player Lora Leigh had to endure across the long night of music. After every gig we played, Piercing went home to their beds- the road musicians were sleeping in vans, or maybe bunks in busses; perhaps some shitty motel room off the highway. I implored Joss to watch and pay attention to Lora at every chance.

“that’s what you are signing up for.”

We hand out about 50 fliers to folks as they begin to arrive, and I notice we need to stop , so we’d have enough to ply the leaving crowd with a second wave. The two of us head into the bar, and I get a beer. Joss has a glass of wine. After a tip of a fiver; because it’s always a good idea to overtip the bar staff, we head back toward the front of the room, but I stop us about halfway in.

“Let’s watch from here.” I say to Jocelyn.
“Ok. Why here?”
“Can you see Lora? Sitting over there on the folding chair?”
“Yes.”
“She has to wait out this interminable local opening act every single night, everywhere she goes.. And notice, she’s dealing with it; not hiding in the bus, or walking around the club. She’s participating. Every night.”

Following the headliners set, we camp out on the front steps of the cinder block industrial building that houses the FFR. It’s a gorgeous Connecticut summer night, with the fog rolling in, creating a field of streetlight cones across the parking lot; a line of cars are disappearing onto the woodsy backroads. As the members of Heirlume make their way out front, Marc grabs me by the arm to introduce Joss and I to Lora.

“Hey Lora, Tim, this is Jocelyn and Ellery from Piercing, they’re opening for you in two weeks at BRICKS.”
“Nice to meet you both” as Lora extends her right hand toward us. Jocelyn reaches out and shakes it.
“You were spectacular tonight, I loved watching you rock out like that. Totally refreshing!” Joss offers.
“Thanks, glad you enjoyed it.”
“Yeah, at times it was like we were living in an Eddie Van Halen reality- you would rip off this sick riff out of nowhere and slide right back into the groove, effortlessly. And you sing lead as well!!! Incredible!” I hopefully offer with a blend of modesty and awe struck fandom.
“Thanks, that’s exactly what we’re trying to do.”
“Hey, who does your PR?” asks Tim, who played bass in their three piece. These were the folks who had to approve my design for MI on the flier for BRICKS.
“Umm, I do.” I replied, looking down at my shoes. Why did I look down? I suppose I was trying to be accommodating; humble.
“You do? You don’t have an independent PR company doing all that work?”
“No, I pretty much do it all. But, I have been doing this for a long time.”

I turned to see what Jocelyn’s reaction was. Her mouth was slightly open, as if she just remembered he had left the stove on while driving to work; and then took a deep, cool breath to calm the initial wave. But her eyes remained fixed on a point somewhere beyond the small group of us, on the horizon. Could she see the future coming to fruition?

I finally give in and buy myself a smart phone- the last luddite. The final hurdle was learning how to text Wall, during our recruitment effort. I had figured out how to text him on our primitive Tracphone- something that was an annual Holiday gift from Anne’s family- so they could keep track of us when we were travelling. Wall thought it was cute; my attempts to learn while he was acting as a guidance counselor on the finer tips within the societal norms of “texting”. I plied him with paragraphs of wishful text, and he let me know that I was abusing the forum.

“Hey, like, I have to pay for these things…”

I had no idea. I had made a joke sign at the Palace, years earlier, and placed it next to the most visible electrical outlet: “CELL PHONE CHARGE $1.00 P/MINUTE”
I had no idea how long a cell phone needed to charge.

We have a show later tonight, which is why we needed Brent to fill in, at Royal Park in New London; a small festival with six bands to raise money to offset events like the TAZZIES. The show had now become an annual tradition, and it was a marked move up locally for the band. However, we have yet to hear from Adrian since he called me and said he on the West Side Highway at 5pm, in gridlocked traffic. I almost began to tell him to get off at 34th and head east, across town, to the FDR, but I internally debate whether that would make them even more lost.

“Ok, man- do you think you can get here in the next 2 hours or so?”
“We’re going to try.”
“Ok, keep me posted.”

As I am turning the door handle to leave, the landline rings again. This time it’s Brent, who is leaving Manhattan at the same time as Adrian, only taking the train. We had talked over the past few days that he was getting on an express to New Haven, and then the commuter rail into New London. Brent was a pro, I had no worries about him being there. Adrian was driving with his father, and you could never tell what was going to happen out on the racetrack that is I-95 in the corridor.

“Hey man. Bad news. The schedule for the train was all fucked up. I’m on a local stopping at every bedroom community outside of the city.”
“Well, can’t you get off the train? Flag the next one, hope it’s the express?”
“Hahaha, very funny, country boy.” A sly reference to one of my favorite Miracle Legion songs.
“I might be able to switch out at Stamford, I’ll call and let you know.”
“Ok. We’ll be fine.”

I head to the venue and meet up with joss and Todd, huddling under the backstage awning avoiding the slight drizzle in the air. It’s an unseasonably cool summer night.

“Did you hear from Adrian and Brent?” asks Jocelyn, in a whisper. I can tell she’s actually thinking there is no way those guys are going to make it on time.
“Yes, I did. Brent is on the local out of Grand Central, by accident. Adrian and his Dad are stuck in traffic
on the West Side Highway.”

I tried to sound as if this were the normal state of operations. This show was too big for us to fuck up, and I didn’t want them to think I was worried. I was plenty worried, but showing any outward emotion of that wasn’t going to bring the two of them into town any quicker.
And if the three of us had to pull off this show by ourselves, there was certainly no need to create a negative environment before we made an unscripted, unrehearsed debut as a three piece. I shook my head at the thought, realizing again how we always seem to exist in some fragmented form. Jocelyn caught this deviation from my outward cool.

“What is it?”
“Ahh, nothing. It’s not like the old days anymore, eh?” I mutter
“Which old days?”
“Good point.”

I awake on Thursday morning. Adrian has rejoined his old band, Rudy has been fired, Jeremy is in the band and has no idea it is strictly temporary, and I’m spending day after day trying to get Earcandy to premiere the “Decisive” video. They have now proposed three different run dates, but major releases keep bumping us back. Tabitha is shopping it to bigger cultural sites that cover film and fashion, as well as music; to no avail. The band inbox is disheartening. I log in to Facebook and see if there is any buzz about our Saturday show with Finito.

“Friday Night / Velvet Hall / Mystic / 8pm / $5 / Class Ring / Geneva Holiday / Finito”

Gut Punch.

I felt as if I had seen an Instagram photo of a girlfriend at the club, without me. Adrian had reassured me during our conversation that this was a one shot deal- either something came of the new recordings or they would mothball the Ring.

“We’re not going to try and recreate our local audience.” he had told me.

But this was genius level PR from the Geneva camp. With Finito coming up for the Saturday show, it was brilliant to have them arrive a day early and play the alternative to a Saturday club night: an all-ages show in Mystic. Coupling that with the close bond that Rudy shared with Phoebe, it was the smart move. Having Class Ring open as they played their first show in over a year, with their original lineup, was a booking coup.

Thames had built their audience playing all-ages shows at the Auditorium, in Stonington; which half of Mystic was within the border of. The Aud, as it was known in local parlance, was a privately run community center that was repurposed from an old 1920’s movie theatre. Several varieties of craftmaking and artisanship were taught in the former office spaces, but the main stage area was kept intact; a place for local theatre groups to present new work, visiting authors to give readings, and where Thames played their most important shows while developing a local audience. When the neighbors began to become weary of 200 people attending the all-ages rock shows; their 100 cars in the parking lot, the sound of the crowds as they came and went within twenty feet of a residential neighborhood, and  the volume of the shows, – it was hard to blame them. One night, while I was struggling to come up with a replacement venue to keep pushing the local scene forward, a couple of young guitar players found me at work, and pitched a new venue idea.

“What about the Velvet Mill?”

I shuddered, hoping I didn’t visibly appear to. I had only been to the Mill one time in my life; and it was harrowing. Following the dawn of the twentieth century, enterprising Americans built specific mills in the Mystic valley to capitalize on a new global market. These mills housed some of the most important velvet production in the world. Germans were the purveyors of the most intimate knowledge of the velvet trade, and hundreds of them came to Mystic to work in these new  mills. “Society Hall”, which was the original name of the Mill, was built by these German immigrants, to recreate some of the spirit of their homeland. By the 1970’s, it had become a private “club”, operating outside the bounds that legal drinking establishments had to adhere to. To gain access the Mill, you had to be a card carrying member of the club, or give a written recommendation for the guests you asked  to enter the establishment. My only experience at the Mill up to that point was on a cool August night in 1979- when my mother’s boyfriend brought my brother and I there, while he was charged to watch us while she worked an overtime shift.

Russell was an alcoholic, who had recently gone through the first real period of clarity in his life. Instead Of pounding beers all day at his job as a weld grinder at the local submarine  manufacturing plant; he was behaving more like the neighborhood fathers we had grown up with- they waited until after work to intake their initial libation. My mother’s relationship with Russell began to take on a kind of normalcy, and I couldn’t blame her for harboring a borderline maniac to help from having to sell the house. But something about the Mill made him lose control that night. I had always equated the strange behavior I witnessed in Mysticites to some kind of weird, psychic vortex that must reside deep in the valley. Whether the vortex is real or not, something got to Russell that night. At 10.30 pm, he piled us into my mom’s 1972 VW Bug, and headed up the valley side the mile to our house. Of course, my mom would be waiting for us; or rather, him, on the front steps.

“Where the fuck have you been?” she hissed at him

He stumbled forward a few steps and gave the whole charade away. I had seen my father fuck up like this many times in front of my Mother. She would never miss that sign.

“AAAAANNNNNNNND  you’ve been drinking! With my fucking kids, you’ve been drinking?!?!? I ask you to watch them for two fucking hours and you dragged them where? Franks? The Mill? Where the fuck did you take these kids? Isn’t it bad enough I have to hear them tell me all of the time they spend in the bar with their asshole father twice a month? Jesus Fucking Christ, you are a one-of-a-kind fucking prick!!!!”

Then, the right hand punch.  Bang. It caught my Mom flush on the left side of her face.

“AHHHHHHH!!!!!!!!!!!!!!!!!

YOU MOTHERFUCKER!!!!!!” she screamed in response.

She stormed forward and slammed him with all the force she could muster into the back door of the house. I raced toward her, and tried to open the door, desperately grasping at the knob. As my mother had him pinned against the door, he noticed me reaching, and clenched his left hand into a fist and swung it toward me, as a direct punch was impossible. He landed that swing perfectly, as drunk as he was. I fell backward onto my ass against the refrigerator. I looked up and saw my brother was standing absolutely still, with both arms slack at his sides. I was as shocked by his non-reaction as I was to the entirety of the moment.  Russell, in a moment of weakness, stopped his struggle with my mom when he saw the blood seeping from the side of my head. She corralled him and opened the door, pushing him outside; the resulting fall down the concrete stairs left him momentarily immobilized. And then, his scream. I saw my mother quickly lock the door, but his fist burst through a lower pane of glass. He was grabbing at the door handle, desperately trying to unlock it and gain entry, but the blood was flowing from his wrist like hot, watery ketchup packets that you get with a hot dog at the Little League Snack Stand, or an amusement park.  He passed out from the loss of blood moments later, and the ambulance whisked him out of my life forever. That was the emotional level that the Mill brought up in me. That had been my first time there.

Over the years, I had played dozens of shows at the Mill; and other than glancing at a faded scar, the night with Russell never plagued me while I performed there. Perhaps I was locking the lid on that experience, in an effort to not be influenced by it. But going to this show brought back wave upon wave of bad mojo. As I walked across the parking lot between my house and the Mill, I simply put one foot in front of the other, knowing that this repetition would eventually bring me to the hall. Adrian had called me earlier that afternoon, asking to use Steven’s amp for the show that night. Our deal lasted all of five minutes. What was I supposed to do, deny him access while the same piece of equipment sat unused 500 yards away? I acquiesced.

“Yes, you can use the amp, just pick it up before you head over to the Mill.”

“Thanks man! Yr the best!”

Tabitha was in town for the weekend, so she joined Joss ,Todd and me as we trudged toward the club. As we walk, Tabitha brings up the progress with Earcandy.

“Anything look promising?”

“Well, they reassured me this week that we’re in the pipeline, but we did submit two weeks ago. I suppose the question is, how long until we shop it elsewhere?

“I say one more week.” replied Tabitha. “If they won’t run it next week let’s take it to Schwag, and see if they’ll premiere it.”

That caught Jocelyn’s ear. She stopped right then and there and turned to face Tabitha.

“Do you think you can get Schwag to run it? That would be a fantastic place to debut the video!”

Schwag had the corner on an “edgier” presentation of the alternative culture; and the edge-pushing

“Decisive” video fit perfectly into their milieu. I could see Jocelyn’s excitement about that possibility, but I thought there was a remote chance of them highlighting an unsigned band in that fashion. Earcandy built their reputation on finding unsigned, or unknown groups. I felt it best if we wait it out, but I knew Tabitha’s career was a factor in the project.

“I agree- one more week and then we will begin to actively shop it to other outlets.”

“Cool. Thanks. I still feel confident that Earcandy is going to run it.”

“Me too.”

We walk into the hall as Class Ring begin their first song. The crowd is nearing 200 people; it’s evident the band has been missed. A great night tonight could easily propel them into a concise   commitment, the likes of which they may have never imagined before. And yet, Piercing had passed this same point months earlier. It was hard to watch Adrian enjoying himself when our band was so close to capitalizing on the hard work we had all put in. and after the removal of Rudy, further fissures would be difficult to cauterize.  But as their set continued, the audience began to lose interest. As they finished their final number, they were playing to a room with fifty people.

Nostalgia is a fickle bedfellow.

Geneva Holiday earn a reprieve, as the audience reassembles; and they provide their staple of the local musical diet.  But by the time Geneva wrap up their set, it’s 11.30pm. Class Ring delayed the start of their set until 9.30, as the audience hadn’t swelled to their projection until then. That left Finito taking the stage for an all-ages show at twelve midnight. A scant ten people were in the hall to witness them.

After three songs, I decided to walk home, not even exchanging goodbyes with anyone involved with the night. Everything that had been built in this small riverside town over the previous two decades crashed and burned upon itself tonight. I almost felt singlehandedly responsible, but as the steps accumulated on my walk back to Centraal, those worries faded. Once, maybe twice in a generation a small town like Mystic has a returning star. Phoebe had accomplished things in her life that many of her generation of friends in town could not even dream of. And ten people stayed to see her perform.

Maybe the genius move that was centered around what Finito could do for Geneva and Class Ring should have been seen the other way around. Our show Saturday night would define its knife edge.

I arrive at the Wishing Well at 9pm, with a van full of gear. The kids are all arriving separately, so as to not be beholden to my schedule. After two trips through the steep alley to the club with amps and heavy gear, the rest of Piercing shows up to help. They grab the snare drum, and carry that and the guitars into the room; better to rest before their expectant expose of entertainment. We are the second band on the bill, so I stack our gear as close to the stage as possible- as Finito is using our equipment, this leaves a bit more standing room on the floor. After the load in, I head up to the bar and order a Sierra Nevada, which happened to be on tap. The Well was constantly rotating their 65 beer choices, so one didn’t have to travel to NYC for an equal experience. And that is what truly defined the Well- there may be only one world class club in the neighborhood, but we would hold up our neighborhood music joint to anyone else. It was as garrulous a claim as it was the totality of a specific truth. And after getting all of our equipment into the room, I find myself sitting alone on Steven’s old JC120 amp that Todd was using. I had been sitting on this amp before gigs for almost thirty years. But now I was alone. Jocelyn and Todd were at the bar holding court with Caron and Jeremy, while I tried to blend in with the dark wall that showcased local art- a residue of neon light resonated against the opposite brick wall.  It was now evident every success would define how alone I actually was in this endeavor.

Rudy is at the bar by 9.30pm. He would be at the front of the stage when we begin our set in an hour; a curious gaze settling over his face.  I couldn’t help but think of the dichotomy between Piercing and Thames; where everything seemed to be defined by the import of ‘life or death’. That prioritization did not exist within the parameters of Piercing. Phoebe was a long-time friend of Rudy’s, so it wasn’t out of the ordinary for him to greet her at the earliest possible opportunity. By the time we take the stage, there is a near capacity crowd- certainly due to the curiosity of what Finito is all about- Piercing were the lucky recipients of the overflow crowd. And even with a handful of practices with Jeremy, the set is punctual, and it’s conscription evident. The sound is more bouncy, more pop than with Rudy, who provided a more visceral bottom end, but the songs were not hindered in any way by the distinction between Rudy and Jeremy.

Finito are completely mesmerizing. One of my favorite things about live music is seeing a great band almost instantaneously connect with an audience who probably hadn’t seen them before. Jeremy and I end up standing mere meters apart, about halfway through the set. We reach out between people in the crowd, and exchange beaks. During their next song, Finito guitarist Matthew lays down an incendiary solo over a lilting, noir rock. As he reaches down the fretboard and hits one final searing note, there is an audible gasp in the room, followed by immense applause as the band gently eases away from the moment; a slow decrescendo. As I turn around to gauge the reaction in the room as they finish the song, I notice Whitney is standing against the opposite wall. I make a mental note to head over to say hello as soon as the last song was complete. But that train of thought became interrupted when Jocelyn sidles up to me and announces that she is going to head home for the night.

“You should go over and say hey! to Whitney before you leave.” I opine to Joss

“Yeah, your right. I haven’t spoken to her in a few months.”

“No worries. Joss, Whitney wants to see us succeed.”

“Yeah….”

I was surprised at her resistance at embracing Whitney.  And as soon as that thought passed through my mind, I realized I should simply walk Jocelyn over to Whitney right then, before Joss entertained the idea of ghosting it.

“Hey, let’s go see her together.”

“Ok.”

We make our way through the thick crowd, and Whitney immediately brightens when she sees us approach. I was encouraged.

“Hey, you guys are getting so good! I am so psyched for you!”

“Thanks for coming out, it really means a lot to have you see us.”

“You’re welcome! I’m sorry I haven’t seen you guys in the city yet, my schedule has been so hectic, but I will!”

“Thanks, kid.” I reply with complete gratitude.

“Jocelyn, you are looking so hot, girl!”

“Awwww.. thank you Whit.”

I recede into the crowd, to give the two of them some time without me.  But as Jocelyn turns to leave, I lean in and tell Whitney

“Keep posting the Vines from Mystic, I love it!”

“Hahahaha! Every time I’m home- You know I will!”

The moment was disconcerting- why did Jocelyn need me to prompt her to “work the room”? Surely, she must have been aware that greeting Whitney was a total necessity;  but I still had to drag her over there to enact a conversation. And of course, she wanted to leave the club before the last band had finished their set. I could understand wanting to get out a bit early, but she lived the closest of any of us to the Well; I couldn’t tell if she was feeling run down, or if it was simply social anxiety. Whatever the issue, it was only going to move to a more intense reality than tonight’s episode. Joss and I were like two kids at the school playground, one of us pushing the other farther and farther up on the swingset. She kept insisting on more autonomy within our artistic definition, but was at the same time asking me to not push the swing so fast, so high. I could feel my hands falling by my sides.

Monday morning. I open up the email and right away I see that Tabitha is getting in touch about whether or not Earcandy is actually going to debut the video for “Decisive”. It has been over two weeks since I submitted it at Claire’s request, and several email exchanges between the two of us have yet to result in the magazine running the new video. It was vital for Tabitha to get this work published in the widest possible forum. She was still shopping her short film, with no success; but a highly regarded video could provide her extra ballast in the rough seas of getting a film distributed. The next email was from Jocelyn, asking me about the timeframe of informing Jeremy that he is not part of the long term plans for Piercing. I knew it. There was not even a sliver of belief that anyone other than me would have to make that particular call to Jeremy. I chalk it up to the benefit of age- if I was 25 and was tasked with terminating a musician who did us a massive favor, I would bitch and moan until they were sick of hearing it from me. I decided to remain silent about my own internal dialogue, and call Jeremy and tell him the truth. It wasn’t me who didn’t want him to join Piercing; it was Adrian backed by Joss. They were calling the shots now, I was just dialing the phone. No pressure.

I spend my Tuesday day off in the gardens at our house. Anne is in fine spirits; the Iris are in peak bloom, and we have totally caught up on weeding and mulching the beds before the height of their color. I’m dealing with internal disarray; knowing full well before the sun sets that I was going to have to make the call to Jeremy. At 5pm, I decide to dial his number. I am standing in the full sun of our front yard, which is bordered by beach roses; their fragrance wafting in the air amongst a hint of freshly cut grass.

“Hey man, it’s Twining.”

“I know. I have caller ID on my cell phone. You should get one.”

“Thanks for the tip, I was just trying to be polite. You kids are always fantasizing about what the 80’s were like- well, that was a part of it. There was no caller ID. You had to actually pick up the phone to find out who was calling. You should embrace it.”

“Yeah, whatever. How about that set Saturday night? Pretty tight, wouldn’t you agree?”

“It was tight, especially considering how quickly we had to piece it together.”

“I know, I know. Who else could you have called?” a hint of actual sarcasm within his tone.

“Well. I tried to get Brent, but he was in South Carolina visiting his Dad. He could have pulled it off.”

“Yeah, but he didn’t. I did.”

“I know, and I truly appreciate it, I imagine everyone does.”

“You imagine?”

“Hey- take it easy.” That was a go to phrase at the Palace when someone was beginning to cross the line.

“You take it easy! Hahahahaha!”

“Jeremy, I’m going to just get to the point. You are not part of the long term plans for Piercing. We are grateful you could fill in for us at such a desperate time, but we’re going to look for someone else as the permanent bassist.”

Silence.

“I can’t talk to you right now.”

And he hung up the phone.

I immediately send out a group message on Facebook to Joss, Todd and Adrian.

“jeremy is out. we need to find a replacement asap.”

Jocelyn was the first to respond.

“Let’s get together on Thursday and discuss this in person. We have practice that night usually, so let’s think hard about what we need to do over the next few days.”

“Yeah, I think that’s the smart approach” replied Todd.

“Ok, cool. I’ll see you guys at 8pm, Centraal. Yes?” was my contribution to the thread.

I spend a few hours cleaning up the mother-in-law apartment, as well as Centraal proper, before the two of them arrive. Todd gets there exactly at 8pm; we exchange beaks on arrival, and Jocelyn skips up the driveway in an effort to look as if she arrived at the same time as Todd. I saw it as an endearing moment; she truly seemed to want to see this through, regardless of the obstacles. As we enter the studio, Jocelyn camps out on the upright futon bed, which serves as a “guestbed” for some of Anne’s family members while they are in town. Or Rudy. Todd stands upright in front of Steven’s amp- the JC120 which enables Todd to tell his tale.

“And how was your day, Twining?” offered Jocelyn.

“Hahahahahaa! It has been fantastic! Do you know the past two nights, between midnight and 1AM, I’ve been getting vicious phone calls from Jeremy?”

“No, I didn’t. I haven’t talked to him. Todd, have you talked to him?”

“No, no, no…. I haven’t…”

“Well, I’ve had five different phone calls over the last two nights; I had to just let them go to voicemail. But he is eviscerating me on these messages. Here, have a listen…..”

“YOU ARE TOTALLY FUCKING THIS THING UP! YOU HAVE NO FUCKING IDEA WHAT YOU ARE DOING!!!”

“YOU ARE TOTALLY FUCKING THIS THING UP! YOU HAVE NO FUCKING IDEA WHAT YOU ARE DOING!!!”

“YOU ARE TOTALLY FUCKING THIS THING UP! YOU HAVE NO FUCKING IDEA WHAT YOU ARE DOING!!!”

It wasn’t that difficult to reconcile what we had actually achieved versus Jeremy’s wounded take on the same topic. But I intrinsically trusted him, as he was the most prescient of the Palace kids. That carried a specific weight with me-  what if he was right? What if I caved to the wrong vision? I had convincingly built the band into its present state; where they had artistic choices to make regarding their image, and their future. Was it a gift? Surely. There was no other way for me to frame my commitment to Piercing and this particular Mystic generation en masse. That realization also defined an endgame; the first time it had cropped up in regard to them. There would soon be a time when it would be too late to rebuild the possibilities. Of that we could be one hundred percent sure.

“Yikes, I’m sorry to hear that.” Offered Jocelyn.

“Yeah, man. That’s fucked up. But it doesn’t surprise me.” Added Todd.

“I’m just over making these phone calls to kick people out of the band. I have had enough.”

We began to discuss how we could possible find a suitable bass player. There wasn’t anyone in town who we collectively felt was the right fit, but I had my own idea about where we should look. But first, I wanted to let them speak, and untangle all of the thoughts they had about solving the situation.  After twenty minutes of

“how about …..?”

“I don’t think that’s a good fit…..”

“How about we think on a larger scale? We’re in New York all the time; it’s where we record and play the bulk of our shows. Adrian is there. What if we found someone in New York to play bass?”

“Hmmn. That’s a good idea.” Replied Jocelyn with purring interest

“I think that’s brilliant, if we can actually find somebody.” added Todd.

“But how are we going to find someone there? Do you think Adrian can find someone?”

“We could ask Michael at Stormy Harbor. He might know some people.” I offered, actually thinking on my feet because as much as I believed in our next bassist would be based in NYC, I had no idea how we could make that happen.

“I hadn’t even thought of that. We know plenty of people in the city.” Said Jocelyn.

“That’s true. I guess this is what happens when you keep working at it, eh Twining?” surmised Todd slyly.

“That’s right. We’ll find someone in New York, I guarantee it. Why don’t you guys head home and get an early night in. it’s been a hectic month, and if we find someone in New York to join the band- it will get even more hectic.”

“That’s totally cool with me.” Said Todd

“Another Piercing musician in NYC is only going to help us. I’m totally on board.” Added Jocelyn.

“Cool. I’ll start making phone calls and emails in the morning.”

“Beaks!” they reply in unison. I take that as a very good sign.