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IRNP 🎵 🎥8x
Here is a music-only edit of the Isle Royale footage – 8x speed, no voiceover
Posted by Victory Garden on Monday, August 6, 2018
💯OC, babe
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“you all forgot black grape”
Wilson was a Cambridge-educated intellectual, trade unionist, Situationist, Granada TV star and post-punk record-label co-founder.
Ryder was a street urchin singer and songwriter with an appetite for drugs so ferocious he once infamously sold his clothes to buy crack (he’s now several years clean).
Despite both hailing from Salford, the two should probably never have crossed paths, much less worked together and formed a deep and long-lasting bond which once saw Wilson describe Ryder’s slice-of-life, vernacular-heavy lyrics as being “on a par with WB Yeats”.
— Malcolm Jack
Notes on the Greenman Collective
a Thursday Afternoon
carols and rodeo candy
veteran alpine snow motion stop stop stop
you and your veteran status full motion block block
wide open winter jade alpine glow
the moon you see it moving across the setting snow
january full luna looming down through the shivery fir
cats hunched in the window through the frosted blur
incandescent warming in the yellowed room, wallpaper parched
porcelain chipped on shelves turned just so, that tungsten glow
above and about, strained in the frigid night
there are valentines on the floor, crayons beside them, unfinished
these valentines on the floor, unmeant
like that top class sleeping in another day that’s never been
next stop
come here, hold my hand
let me see
carols and rodeo candy
Incomplete Music
sketches never completed
inspiration for a return, or a new direction
installing
Skimbleshanks Cassette
from decaying cassette tapes — from basement sessions — proceed at your own risk
Skimbleshanks_Wayside (from Sonalysts 1987, better version forthcoming)
Skimbleshanks_Underground Recorded on Thames Street, Groton, by 17 Relics, 1987
Slingshot Single, by Sodium Lights
Sodium Lights have released a follow-up single to their scintillating Transtulit LP from 2011. After the sessions that completed Transtulit, the band decided to go even further into the deep house foundations that made up the electronic side of the group’s electro-rock.
The guitars were put inside their cases, and programming began in earnest during the winter of 2011-12. The band wrote an album’s worth of new material in a few months, and singer Julia Farrar began to add vocals to the rough ideas. As the songs began to take shape, the band began to realize that releasing a single from the best of the accumulated material would actualize the ideal of the “trance pop” songs they were trying to create.
Instead of following up 2011’s Transtulit with another full length LP, Sodium Lights decided to release singles of these sessions, of which “Slingshot” is the first.
New Luke Hunter Single: Heart & Home
Each of Luke Hunter’s releases are more evocative and focused, driven with emotion and seeking our hearts.
Heart & Home is a proper single, assisted with James Burke on bass, and Tyler Crawford on drums. It gets in your head, it gets in your heart, and it hits straight home – a masterpiece and proof that Luke has truly become an artisan songwriter. The production and mixing, by Alex Pellish (17 Relics, Portersville, Vera from Alice, Highlighter, Sodium Lights), further refines and enlightens this immediate indie rock classic.
And cued right up, the backside features the daedalian guitarwork of Leafmeal, fleeting across unraveling midsummer meadows, across balearen lovers spread out beneath the wide blue sky – twirling in so many memories brought back from the fade –
Absolutely fantastic.