WAX and WANE: The Full Moon of July 2019

“The Full Moon on Tuesday, July 16, 2019, at 24 degrees Capricorn is a partial lunar eclipse. The lunar eclipse July 2019 astrology is powerful and confrontational because of close conjunction to Pluto. Intense emotional reactions, compulsive behavior, and power struggles are likely to result in a crisis. Lunar eclipse July 2019 is also square the dwarf planet Eris which will reenergize the #MeToo Movement. It will strengthen the feminist attack on the patriarchal authority. Other planetary aspects and fixed stars point to scandal, intrigue, public disgrace, and destroyed reputations. But they also give hope that empathy and understanding will lead to lasting changes.”
https://astrologyking.com/lunar-eclipse-july-2019/

featuring Models: Piper Meyers, my Capricorn and Lehla Owens, my Aries from the Personal Universe series, 2018
16 July 2019 during the Full Buck July Moon
Mystic, CT  USA

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“Back To The Old House”

 


“I would love to go
back to the old house
but I never will
I never will
I never will
I never will”

Excerpt from the song, “Back To The Old House” is by The Smiths and appears on the compilation album Hatful of Hollow (1984) and on the compilation album Louder Than Bombs (1987).

featuring Model: Caroline Longo
The New Moon of June
3 June 2019
Chez Elle, Mystic, CT, USA

 

WAX and WANE: The Full Moon of May 2019

Just when the thought occurs

The panic will pass

And the smell of the fields

Never lasts

Put your faith

In those crimson nights

Set sail

In those turquoise days

 

excerpt from “Turquoise Days”, Echo and the Bunnymen, Heaven Up Here, 1981.

“In 1981, music magazine the NME described the album as darker and more passionate than 1980’s Crocodiles. The Record Mirror also said that the band sang the blues and devoted themselves to existential sadness. They went on to note that the album offered ‘an anatomy of melancholy, resplendent with the glamour of doom’ ”

featuring Model: Lena Curland
The Full Flower Moon of May
18 May 2019
Stonington Borough, CT  USA

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“I Won’t Share You”

“I won’t share you
I won’t share you
With the drive
The ambition
And the zeal I feel
This is my time
As the note I wrote
Was read, she said
Has the Perrier gone
Straight to my head
Or is life plainly sick and cruel, instead?
“YES!”
No – no – no – no – no – no
I won’t share you
I won’t share you
With the drive
And the dreams inside
This is my time
Life tends to come and go
Well, that’s OK
Just as long as you know
Life tends to come and go
Well, that’s OK
Just as long as you know
I won’t share you
I won’t share you
With the drive
And the dreams inside
This is my time
This is my time”

featuring Model: Morgan Vail
Branford House, Avery Point, Connecticut
shot on Ilford Delta 400 Pro 35 mm film with Minolta x700 camera
lyrics for “I Won’t Share You” by The Smiths, from “Strangeways, Here We Come” (1987)
inspired by the news report from Rolling Stone Magazine, 12 May 2019, that Morrissey had performed “I Won’t Share You” for the first time ever, because “the group broke up before they had a chance to tour it…”
https://www.rollingstone.com/music/music-news/morrissey-i-wont-share-you-broadway-834482/

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International Dylan Thomas Day 14 May 2019


An international day to celebrate the life and work of Welsh poet Dylan Thomas, held each year on 14th May, the anniversary of the date when Under Milk Wood was first read on stage at 92Y The Poetry Center, New York in 1953.
“International Dylan Thomas Day gives us a chance each year to celebrate Dylan Thomas’s achievements. There is still the enthusiasm for a national day to mark my grandfather’s life and legacy and we want to keep May 14th as a prominent date on the literary calendar.
Dylan Thomas’s writing has travelled through time – it is as relevant today in our troubled times as when it was written sixty-five years ago. It continues to travel across the globe reaching new audiences everyday. His poetry lives on.
We invite you to tell us about how you are going to mark the day and encourage you, wholeheartedly, to get involved and to love the words.” — Hannah Ellis, Granddaughter of Dylan Thomas
https://www.discoverdylanthomas.com/news-events/international-dylan-thomas-day

The photographer Rollie McKenna was at this 92Y reading of Under Milk Wood, to photograph Dylan Thomas, and she writes this in her autobiography, Rollie McKenna: A Life in Photography (Knopf, 1991),
“Dylan Thomas’s career didn’t truly take off until he ‘hit’ the United States. Readings at the Poetry Center and tours throughout the country where–in his own words–he ‘boomed and fiddled while home was burning,’ all but devoured him. The money he made, so necessary to support his family, passed through his fingers like water. The praise, so addictive, was fleeting. Still, he wanted to read again to his vastly appreciative American audiences and, above all, to write the final ending to his play for voices, Under Milk Wood
Frenetic reading tours, sycophant-laden parties and late-night bar-hopping exhausted him, and just an hour before rehearsing the actors for the first New York performance of Under Milk Wood, Dylan was in particularly bad shape.  On arriving at the Poetry Center, he vomited, declared that he could not possibly go on and collapsed in the green room. After half an hour, he was shaken awake.  Pulling himself together, he directed for an astonishing three hours, urging the actors over and over:  ‘Love the words.  Love the words!’  I was so dumbfounded by his recovery that I almost forgot to shoot.
When the night of May 14, 1953, arrived, the theater was packed.  The audience, silent at first, then tittering, finally exploded into laughter on realizing that this was no highbrow affair but a loving, ribald tribute to a village.  Dylan took fifteen curtain calls as tears slipped down his face.”
https://www.nytimes.com/1991/11/17/books/pictures-from-a-life.html

In celebration:
featuring Model: Emma Rocherolle

WAX and WANE: The Full Moon of April 2019

For Ezra Pound:

“April is the cruellest month, breeding


Lilacs out of the dead land, mixing


Memory and desire, stirring

Dull roots with spring rain.

Winter kept us warm, covering


Earth in forgetful snow, feeding


A little life with dried tubers.”

excerpt from:  The Waste Land by  T. S. ELIOT

featuring Model: Emma Rocherolle
The Full Pink Moon of April:
19 April 2019
Noank, CT  USA

 

 

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New Moon in April and a Heart Shaped Box

New Moon 5 April 2019
introducing my newest Model: Ella Turner
and featuring the poem Dreamland by Royal Young with Photographs by Michelle Gemma

I want to enjoy the sunrise
While we still have them
Your quiet little town
Won’t be safe much longer

A stolen heart is never truly
Yours
A boot to get what you want

Imperfection is beauty
Torrid
Tortured
Terrible glances like lances

Give me open terrain
If I could climb this fire escape
To the future I would

My soul is following
The train’s whistle
My body lays next to
A sleeping dog

The dog dreams
Shivers in sleep
We’re both running
Still

 

https://www.instagram.com/theroyalyoung/

 

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WAX and WANE: The Full Moon of March 2019

In 2019, the full Moon of March rises on the same day as the vernal equinox—marking the start of spring!


March also brings the final supermoon of 2019.


The March full Moon is particularly special because it reaches its peak on the same day as the spring equinox, on March 20, 2019. The last time the full Moon and the spring equinox coincided this closely (4 hours apart) was in March 2000, but the last time they occurred on the same date was on March 20, 1981!


Traditionally, the Moon we see in March is called the Full Worm Moon. At this time of the year, the ground begins to soften enough for earthworm casts to reappear, inviting robins and birds to feed—a true sign of spring. Roots start to push their way up through the soil, and the Earth experiences a re-birth as it awakens from its winter slumber.

This full Moon is also a supermoon, meaning the Moon will be nearly at its closest to Earth for the month of March. It’s the year’s third (and final) of three straight full supermoons. This means that the Moon may “appear” brighter and bigger than normal, provided the night sky is clear and dark.

 

 

https://www.almanac.com/content/first-day-spring-vernal-equinox

featuring Model: Alycia de los Santos
The Full Worm Moon of March:
20 March 2019
Seaside, Waterford, CT  USA

 

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The Bell Jar

It was a queer, sultry summer, the summer they electrocuted the Rosenbergs, and
I didn’t know what I was doing in New York. I’m stupid about executions. The idea of
being electrocuted makes me sick, and that’s all there was to read about in the papers —
goggle-eyed headlines staring up at me on every street corner and at the fusty, peanutsmelling mouth of every subway. It had nothing to do with me, but I couldn’t help
wondering what it would be like, being burned alive all along your nerves.
I thought it must be the worst thing in the world.

—excerpt from the Bell Jar, by Sylvia Plath, first published in January 1963 under the pseudonym Victoria Lucas and later released posthumously under her real name.

featuring Model: Jane Anderson
Photograph by Michelle Gemma

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“Don’t Take The Ring”

“Don’t Take The Ring” draws from an admonition spoken by Agent Cooper to Laura Palmer in a dream sequence in Twin Peaks: Fire Walk With Me.  The focus of this series is upon choices made, once the ring is taken.

We are drawn into the young blonde model’s world:

 

she has chosen to stand at the threshold-

 

she pauses,

 

she considers what lies beyond,

 

 

and then she enters the mansion.

 

 

She wants to explore,

 

and we ride along with her

 

 

And then it has been decided

 

 

that the consequences have already unfolded before her

 

 

as she meets her shadow self- the brunette model.

 

It is the casualty of her decision-

 

to cast one’s lot with the angels

 

in the hopes that it will be received well,

 

that resonates with the audience.

 

 

We are rooting for these models to succeed

 

 

because we see ourselves in them.

 

We understand the platform of complication,

 

but we want them to rise like the phoenix,

 

and speak to our own immortality.

 

It is all about the work.

“Laura Is The One”
All Photographs by Michelle Gemma
featuring Models: Piper Meyers and Julia Farrar
locations: The Haley Mansion, Perkins Farmhouse before it was demolished, woods off River Road, Mystic, CT USA

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