Tag: mystic

  • Why People Disappear

    why people disappear
    maybe she couldn’t live like this

     

    maybe she couldn’t live at all
    will you ever with me this is she
    so she made him not want her
    how can I say more than that?
    whatever brings us together
    maybe I know as much as I ever will

    featuring Model: Kathryn O’Reilly
    Photograph by Michelle Gemma
    15 September 2015
    Mystic, CT USA

    https://michellegemmaphotography.com/

    Home Is in Your Head is the second studio album by His Name Is Alive, originally released via 4AD in the UK on September 9, 1991
    this post features the lyrics from “Why People Disappear” track 12 of Home is in Your Head.

  • Let’s Rock!

    Let’s rock!
    I’ve got good news.
    That gum you like is going to come back in style.
    She’s my cousin.
    But doesn’t she look almost exactly like Laura Palmer?
    But… it is Laura Palmer. Are you Laura Palmer?
    I feel like I know her, but sometimes my arms bend back.
    She’s filled with secrets. Where we’re from, the birds sing a pretty song, and there’s always music in the air.

    featuring Model: Morgan Vail
    Photographs by Michelle Gemma
    11 June 2015
    In the Backyard, Mystic, CT  USA

    featuring Model: Morgan Vail, age 28 from the ongoing series “Portrait of the Artist as a Young Girl”—
    a timeline of photographs over 19 years with the same model
    Mystic, CT USA
    Photograph by Michelle Gemma

    https://michellegemmaphotography.com
    https://michellegemmaphotography.wordpress.com/

    [Cooper’s dream, sitting in a chair in the red room. The Man from Another Place twitches uncontrollably with his back to Cooper. Cooper stares at a smiling Laura Palmer.]

    this post features a narrative sequence from Twin Peaks (TV Show).
    Twin Peaks is an American mystery horror drama television series created by Mark Frost and David Lynch that premiered on April 8, 1990, on ABC. Its story follows an investigation headed by FBI Special Agent Dale Cooper (Kyle MacLachlan) into the murder of homecoming queen Laura Palmer (Sheryl Lee) in the fictional suburban town of Twin Peaks, Washington.

  • Secret World

    SECRET WORLD

    the gravity of the needle drop
    always fascinated me
    never more so when my father
    bought my mother
    a pair of 45 RPM singles
    as a parting gift upon their divorce

    “too much too little too late” by deniece williams
    & johnny mathis, and “count on me” by jefferson starship.
    I remember thinking, “did he miss the mixed message?”
    i would play these records over and over
    looking for hidden clues
    as to why I was even looking to begin with. I kept searching
    for my father’s voice in the words, but the maudlin lyrics made
    me loathe him beyond the obvious.

    my mother didn’t like records, or music as entertainment.
    one day, when the whole family
    was to spend some quality time spring cleaning,
    i put on an 8 track of the Beatles, thinking I would see my mother
    pep up to the catchy beat of her one favorite band. when I went in to
    the kitchen to catch a glimpse of her at the height of domestic bliss,
    she just asked to me to turn it down.

    I had been unwittingly let in to a secret world
    where communication is a currency all its own

  • Grand Cross

    GRAND CROSS

    each careful crevice
    is a calculated burden
    the exaltation of the sudden
    the acclaim of the other

    each luminous caress
    is a courtesy
    an accomplishment all it’s own

    ideas desire to coalesce around
    our better precedence
    like a new moon in aries
    the previous distance from decadence

    the date on the calendar has passed,
    is always passing
    a reflective juncture which demands
    one choice between two worlds
    the ignition of intuition
    gains measure in the ensuing reveal

  • Exit Strategy

    EXIT STRATEGY

    the door closes quickly
    as a loud commotion
    commences
    there are still roads to traverse

    it’s an exit strategy
    the appeal of inner calculation-
    your garbled gable senses
    an advantage without a reverse

    consent, complicating the totality
    of our image- an irreversible reclamation.
    this implied construct of allowence’s
    deception could not erase the curse.

    the archive of our functional commonality
    dissipates in a hissing enunciation,
    a sacrificial dissolution of the harnesses
    that tethered every verse

    this vapor of vacant tonality
    delineates the idea of qualification
    a predetermined absence of consequence
    with lips coiled tight in a concealed purse