Mystic Mythology: Skateboarding Part 2

“”What bothers me is the particular breed around here[…] M. Mehlman

Welcome to the second installment of Mystic Mythology: Skateboarding. During the late 1980s and early 90s, Mystic Connecticut, with its quaint and quiet streets and drawbridge that halted traffic 2,200 times per year, was the perfect place for a bunch of misfit kids to gather, ride skateboards, and have scorn heaped upon us by nearly ever merchant in town except Dan Curland at Mystic Disc. This was a time when lifelong relationships were formed and it is because of those relationships that I am able to cobble together the myriad memory fragments into something resembling a memoir. Welcome to part two: The Post High School Days.

As far as my crew and I are concerned, the skate scene in Mystic would have been very different if it wasn’t for “the booth.” The booth, located at 9 Water Street, was the place I worked managing the parking concession for The Landing Restaurant. It was there where I met the crew of dudes who I’ve now been friends with for over 30 years.

The booth very quickly became a refuge for the skateboarders of downtown Mystic. Back in 1987, we, the skateboarders of Mystic, were not exactly loved. As mentioned in part one, the merchants hated us, the jocks and jerks wanted to beat us down, and the cops did their best to arrest us. The booth was a place my friends could ditch their boards, huddle around the tiny heater in the middle of winter, or peruse the collection of off brand pornographic magazines that may or may not have been purchased by the oldest kid in the group.

The act of skateboarding, being both a creative and physical pursuit, seems to cement friendships quickly. The guys who hung around the booth started packing themselves into my 1978 Mercury Bobcat to go on skate adventures. It wasn’t long before we, with a nod to the world-famous Powell Peralta Bones Brigade, were known as the Bobcat Brigade.

These adventures took us all over Connecticut, into Rhode Island and Massachusetts, and as far north as Maine. While visiting these places, we inevitably met other skateboarders who would occasionally share skate spot information, or better yet, lead us to their favorite spots. These were the years when skateboarding felt like the only important thing in the world. All one had to do was be willing to try, sometimes despite better judgement and usually at the risk of physical injury and pain, and the respect of other skateboarders was earned.

Through the countless connections made by being as mobile as an old Mercury would allow, we discovered numerous hidden gems. When we weren’t skating Kaplan’s, the parking lot, 12 Water Street, or the Mystic Train Station, we could be found at places such as the Norwich Pool, Fish Ditch, Rat Hole, behind Benny’s, Case Ramp, Firehouse Curbs, about a million hill bombs, Mansion Ramp, Blues Ramp, College Hill, Turtles, the Sk8 Hut, Water Bros., Newport, and many, many more. The more adventure we sought, the more we found. We were becoming skate nomads without ever being aware of it. We were dedicated to skateboarding because it never let us down. We consumed it as it consumed us. We weren’t just kids with skateboards, we were skateboarders.

Mystic Mythology: Skateboarding Part 1.

Welcome to the first installment of Mystic Mythology: Skateboarding. During the late 1980s and early 90s, Mystic Connecticut was a bustling hub of skateboarding activity. The merchants hated us, the jocks and jerks wanted to beat us down, and the cops did their best to arrest us. It was kind of an ass-backwards paradise for us punk-rock misfits and I don’t think any of us would have had it any other way. *Please note: some of the details here have been blurred, not for the purposes of artistic license, whatever that means, but due to the fact that I wasn’t taking notes back then, my only access to photography was an OLD Kodak Instamatic, and, quite frankly, I’m getting old. Welcome to part one.

When I turned 12, way back in 1980, I got the one and only thing I wanted for my birthday; a plastic yellow skateboard. It had translucent yellow wheels, loose and loud ball bearings, a tiny kick-tail, and an even smaller pointy nose. I saw it in the Benny’s department store in downtown Groton near the bikes my parents couldn’t afford and I became obsessed with it, pestering them every time we stepped into that store.

After months of begging, cajoling, and promising that I would be careful to not hurt myself, my fantasy of becoming a skateboarder became a reality. On the last day of November, that little skateboard was mine. It did, however, come with a catch, I could only ride it if I promised to wear a helmet. I was crestfallen. If that wasn’t enough, my parents, without consulting me, had gone ahead and purchased a helmet for me and it was quite possibly the most hideous thing I’d ever seen. Instead of an actual Pro-Tec skateboard helmet, my parents purchased a Cooper SK 100 hockey helmet that looked like it was made out of plastic milk jugs. Imagine, if you will; an awkward husky kid from a trailer park, wearing off-brand shoes purchased from the Railroad Salvage store and thrift store ToughSkins showing up at the quarter pipe some older kids built while wearing a beacon of ignorant geekdom upon his head. Let’s just say I wasn’t welcomed with open arms.I was determined, though, and didn’t let those gawking teenage boys bother me. Growing up in a trailer park had prepared me for a life of derision. Instead of trying to overcome the perceived adversity, I would walk past, doing my best to ignore the taunts, and head up the hill behind my house to figure out how to ride that useless plastic toy.

On day one, despite countless promises to be careful and not hurt myself, I did exactly that. On day one I learned two very important lessons: what speed wobbles are and what road rash is. My mother was not impressed.

Covered in scabs, but undaunted, I persisted. On day two, the speed wobbles also persisted, but it was on that day that I learned the importance of “run-out.” This gently curving road had two distinct sides to it: the safe side, with sloping manicured lawns, and the suicide, filled with rocks, briars, and trees. On day two, I discovered that bailing at speed onto a nice, soft lawn required almost no first aid, only soap and water.

Bombing hills, surreptitious trips to the quarter pipe, and the occasional trip to a reservoir spillway that later became known as the Fish Ditch was my entire world for the first two years of being a skateboarder. I didn’t need anyone or anything else and that suited me just fine. At the time there was no way I could predict what skateboarding would come to mean to me, what doors it would open, or how it would be the common ground on which most of my adult relationships would be founded. That little, yellow skateboard, after all, was just a silly plastic toy purchased from a discount department store in the submarine capital of the world.

 

The Balance of Power

The woman is perfected.
Her dead

Body wears the smile of accomplishment,
The illusion of a Greek necessity

Flows in the scrolls of her toga,
Her bare

Feet seem to be saying:
We have come so far, it is over.

Each dead child coiled, a white serpent,
One at each little

Pitcher of milk, now empty.
She has folded

Them back into her body as petals
Of a rose close when the garden

Stiffens and odors bleed
From the sweet, deep throats of the night flower.

The moon has nothing to be sad about,
Staring from her hood of bone.

She is used to this sort of thing.
Her blacks crackle and drag.

 

a new photo narrative featuring Model: Jane Alice
as my LIBRA
for the new series: Personal Universe, an astrological study starring the model stable of Michelle Gemma (2017-2018)
Photograph by Michelle  Gemma
27 July 2018
Stonington Boro, CT  USA
Full Moon Lunar Eclipse

https://michellegemmaphotography.com/
https://michellegemmaphotography.wordpress.com/

featuring the Poem:
Edge      by      SYLVIA PLATH

 

 

 

 

“Return From The Sea”

The Captain has been on a long sea voyage to find his fortune, having left behind his beloved.

He has anxiously awaited his return home.

He knows that his beloved has paced away many nights at the Mansion up in the Widows Walk, craning a look through the telescope: hoping to see a ship , any ship, any movement.

Movement is life.

The sea has movement but it can betray the visible truth because there is so much movement in the sea.

The sea waves back at you, is hopeful.

The Captain has arrived at the Mansion.

He enters each room and looks around.

Then he walks upstairs to get a better look. The Widows Walk has the best view. Plus there is a telescope: he will find her…

“Return From The Sea”
a new photo narrative starring Writer: Royal Young
Text and Photographs by Michelle Gemma
25 June 2018
Spicer Mansion
15 Elm Street, Mystic, CT  USA

It’ll End In Tears

Kangaroo

Song To The Siren

Holocaust

FYT

Fond Affections

The Last Day

Another Day

Waves Become Wings

Barramondi

Dreams Made Flesh

Not Me

A Single Wish

 

It’ll End in Tears is the first album released by 4AD collective This Mortal Coil, an umbrella title for a loose grouping of guest musicians and vocalists brought together by label boss Ivo Watts-Russell. The twelve tracks of the album are illustrated here, in proper order.

featuring Model: Emma Rocherolle
all Photographs by Michelle Gemma
Spicer Mansion, Mystic, CT  USA

https://michellegemmaphotography.com
https://michellegemmaphotography.wordpress.com/

Morgan age 18

“Activate”                                                                                                                                        featuring Model: Morgan Vail, age 19
from the ongoing series “Portrait of the Artist as a Young Girl”—
a timeline of photographs over 19 years with the same model 
Mystic, CT USA
Photograph by Michelle Gemma

https://michellegemmaphotography.com
https://michellegemmaphotography.wordpress.com/