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Chicago 1893 Overview
“The future is now Old Man!”, he said to himself.
Official Website: http://chicago1893.com
Documentary Film: https://www.amazon.com/dp/B08JCPFJ54
Paperback/ebook/audiobook: https://amazon.com/dp/1082413585
Merchandise: https://teespring.com/stores/1893-chi…
Soundtrack: https://chicago1893.bandcamp.com
Facebook: https://www.facebook.com/chicago.1893
Twitter: https://twitter.com/Chicago_1893
Instagram: https://www.instagram.com/chicago.1893
What Happens After Midnight
PHOTO document by Michelle Gemma for Portersville & Greenmanville: A Presentation of 1990s Mystic Art & Culture at Mystic River Park — 29 September 2022
REVENGE
the debut Solo LP from Rich Freitas
PORTERSVILLE & GREENMANVILLE
THURSDAY, SEPTEMBER 29, 2022 AT 5:45 PM
Mystic River Park
I made a music video!
Weatherall is the first music video from Ellery Twining’s debut solo album “Revenge”, released 17 January 2022.
It is a deep dive into intergenerational relationships…
Written and directed by Mystic photographer Michelle Gemma, featuring archival photographs from Mystic’s 1990’s underground dance party scene at Mars Hall, alongside video footage from last decade’s recreation of scene at the Workshop.
Edited by Jim Canty.
The song and video are a tribute to British producer/DJ Andrew Weatherall (1963-2020), who passed as Twining was writing the songs for “REVENGE.”
Song credits: Ellery Twining (all Noises) Dave Bentley (the Bass Guitar) Brad Bensko (Electric Guitar) Jason Curland (Percussion)
Produced by Eric Lichter at Dirt Floor Recording & Production Haddam, CT
Engineered by Guido Falivene
Video credits: All photographs and video by Michelle Gemma Except two indoor Mars Hall dance party photos by Kerry Niering and Mars Hall demo photos by Erin Pipping
Models: Carly Straub and Jane Anderson
Photographed March 2022 in Mystic, CT, USA
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Bringing the Columbian Exposition Back to Life in Augmented Reality
On May 1st 1893, President Grover Cleveland opened the Columbian Exposition on the shoreline of Lake Michigan in Jackson Park on the south side of Chicago. No matter how strong our sense of nostalgia is, the past is gone. But what if we could bring pieces of it into the present?
On the 129th anniversary of that opening, we released the first views of Chicago 1893’s augmented reality experience. Chicago 1893 has been working for the last year to do just that by recreating the largest buildings from the event that were originally located around the Grand Basin. This project aims to create museum-like digital assets focused on historical integrity and architecture with the intention of expanding broadly toward experiences focused on learning and richer functionality for entertainment.
These structures are being rendered in 1:1 scale. The goal is to allow people to perceive the scope of the buildings the way those in 1893 did, if sculptures loomed from 100 feet above they will within augmented reality as well. Just imagine: classical architecture, anywhere in the world — No matter where!
Ever since HG Wells published “The Time Machine” people have been fascinated with the idea of time travel — the Chicago 1893 XR project begs the question: “what if you could bring the past to back life?”
The Columbian Exposition is arguably the most notable World’s Fair of all time but very little of its architectural legacy remains. Over the last four years we have been diligently scouring archives to compile the documentation required to render the buildings in digital 3D for augmented reality which were created by some of the finest architects of the Gilded Age.
Now we are in the final stages of Phase 1’s buildout which includes the major structures located around the Grand Basin. The plan is to make the first asset available to the public this summer. It will be the Administration Building, a Beaux-Arts structure designed by architect Richard Morris Hunt who is also responsible for the entrance facade of the Metropolitan Museum of Art in New York City and the pedestal of the Statue of Liberty.
You can expect more details as we approach this initial release.
Join us and see the Columbian Exposition come back to life.
For More:
Documentary Film: https://www.amazon.com/dp/B08JCPFJ54
Book: https://amazon.com/dp/1082413585
Merch: https://teespring.com/stores/1893-chicago-columbian-expo
Facebook: https://www.facebook.com/chicago.1893
Twitter: https://twitter.com/Chicago_1893
Instagram: https://www.instagram.com/chicago.1893
Full Moon in Sagittarius at 23 degrees
“The body’s wisdom musically in touch and in tune, sensing the resonance of cellular awakening. Eager and enthusiastic and bright, you have given over to the process. Always in midstream. Seizing upon opportunities, challenges, openings. Needing to know just how it feels at the micro levels. What is it like to be free, to be joyous, to be unrestricted, here in the body, in the world? You seek the full-on motivating spark of knowing what it feels like to be tuned out and discovering what it really means to be tuned in all the way.” from Sagittarius at 23 degrees by Ellias Lonsdale
In much the same way in which he characterized planets and asteroids as powerful, gendered beings in Inside Planets, Ellias Lonsdale gives new depth and nuance to degree analysis, an area often seen as technical or reduced to cliche.
Lonsdale builds on three main degree interpretations: Dane Rudhyar’s concept of the Sabian Symbols described in The Astrology of Personality and An Astrological Mandala, Marc Edmund Jones’s Sabian Symbols in Astrology, and John Sandbach’s recent Chandra Symbols. Beginning in 1988, Lonsdale worked with his wife Sara in tracking the Sabian symbol, the Charubel Symbol (the most useful of the other sets of degree symbology) and the Chandra Symbol. After Sara died in 1993 Lonsdale worked with her (as Theanna) and their friend Alita “to pierce through the veil,” as he says in his Introduction, “to find the angel behind each degree. This ultimate version is won from death and fused with rebirth and each word shows this power.”
The degree symbols are most useful in elaborating a personal birth chart. One can learn about personal cycles from studying the place of a transiting or progressed planet by degree at a given time, revealing collective as well as personal timings. The Zodiac degrees also act as an oracle. One can open the collection anywhere for a given day, or in reponse to a question. The degrees will reveal what is happening now and if we are attentive and responsive to the cues, what is required of us. Comparing charts of friends and famous people who are known for certain qualities, one can gradually discriminate among the degrees.
These beautifully written and fully imagined readings of the Chandra degree symbols speak to a deep level of personal change and authenticity.
Ellias Lonsdale is the author of Star Rhythms, The Book of Theanna, and Inside Planets. He lectures widely on astrology and is an astrological counselor in Santa Cruz, California.
https://aquaorfire.net/astrology/inside_degrees/inside_degrees.html#sagittarius
featuring Model: Titus Abad
as Sagittarius for the Personal Universe Series
Photograph by Michelle Gemma
10th Anniversary of PortFire!
Ten years ago, back in July 2011, we transitioned from a website called Mystic Music Archive to PortFire here. The Mystic Music Archive was a repository we created for some local Mystic and New London, Connecticut music from the 80s, 90s, and new releases.
To progress beyond just music – to expand to all the diverse artists inspiring us – we moved all of the albums and songs over to a new site – named PortFire after “the fuze or torch that lights rockets and fireworks” (yeah, a bit ambitious!) – and aimed to also begin including photography, writing, visual arts (especially collage), and new music from beyond just southeastern Connecticut.
We organized and worked to expand PortFire as a free zone for artists to post their recent work, following the DIY ethos of Hozomeen Press and other zines like Root of Twinkle from the 80s and 90s; but our campaign to expand eventually fell flat and only a few dedicated artists, especially Michelle Gemma, and Ellery Twining, published prodigiously to our free platform.
As an architect and editor of PortFire, I certainly wasn’t aggressive nor charismatic enough to smartly ‘market’ PortFire: no ads, no fees, not interested in profits, no baiting for page views, no social media strategies, no gimmicks – just not interested in any of that – which is perhaps to our detriment in many ways – arts and artists benefit from publicity. So please let us know if you have any ideas for us publicizing ourselves in a better way.
We exist for fellow artists to publish and speak and react to each other’s work, so we inspire each other and push each other’s art forward.
We will definitely keep running this site for the artists producing new work and publishing here (I still hope to rejoin those ranks!), as well as to host older music and zines for those who are curious, nostalgic, or want to hear the beautiful 17 Relics, Seratonin, or Low–Beam (and more!) – over ten fabulous independent bands can be found under the Music tab at the top of our site.
So, it really is hard to believe it has been ten years – while reminiscing and looking through the site this past week, I was surprised to rediscover the amount of inspiring content here – check out the right side of our main page, the Artist Collections, Tags, Search Bar, Archives in the lower right, and just feel free to explore – and thank you all so much for contributing and checking in over all these years –
If you’d like to publish your work here, please let us know at editors@portfire.org
Here is the first post that PortFire ever put up, to test the new site, about ten years ago – enjoy!