Author: ellery twining

  • RESULTS PRESS

    THE PUNK HEAD

    Ellery Twining is ahead of his time. He foresees a post-pop era before the genre is even defined, but here and now, RESULTS convinces you that a new aesthetic is the inevitable. Before, the post pop genre hasn’t had an artist who can truly define the genre, at least not until Twining entered the scene.

    Twining has something very special to share with RESULTS. Following his acclaimed debut release, the sophomore album further pushes the experimentation of form and texture. To answer the question what post-pop is, you need to first listen to his album. The album sees a translucent form of childhood nostalgia combined with a cynical look at past generations in reflection with modernity, pop, and pop culture.

    The influences of RESULTS, or more accurately, its rising aesthetic is also echoed throughout different forms of contemporary art. In literature, there’s a rising of non-linear storytelling and expressiveness, which focus on individual artistry and creativity and sees narratives bend the rules of genres. RESULTS share the same thread of individuality, liberation, and expressiveness. Twining’s non-fiction, personalized narrative is entered through a fluid-like deformation of pop and folk lyricism and carried out by the heart of a poet.

    RESULTS in a way reminds you of glam rock, avant-garde, and punk, of which forms all share the confrontation and seeking of a more conclusive expression as new movements and changes are emerging across the globe. We are too at a change of time, and RESULTS articulates these lost and undefined feelings. Its form might still be viewed as edgy by many, but it’s well-supported by the change of narratives that are happening in the world. RESULTS doesn’t lack universal appeal. It’s more than ever resonating and needed to be heard.

    (more…)
  • RESULTS

    Ellery Twining’s second solo record realizes the potential of the Mystic Music
    Scene in a certain totality.

    https://ellerytwining.bandcamp.com/album/results

  • REVENGE

    the debut Solo LP from Rich Freitas

    REVENGE

    https://ellerytwining.bandcamp.com/releases

  • PORTERSVILLE & GREENMANVILLE

    THURSDAY, SEPTEMBER 29, 2022 AT 5:45 PM

    Mystic River Park

    Join us for this special presentation on the unique history, arts, and culture of Mystic during the 1990s at Mystic River Park featuring the local artists, writers, and musicians who were there: Matthew Tarbox, Arden Levine, Michelle Gemma, Stephen Chupaska, and djshecky.

    Matthew Tarbox, co-editor of Hozomeen Press, will present. Hozomeen Press published over 30 magazines and poetry chapbooks throughout the 1990s in Mystic. He will show the audience the Mason’s Stoup process, and how the originals were also used as promotional material.

    Arden Levine, poet, author, literary editor and urban planner. Originally from Washington, DC and now living and working in New York City, she was saturated in Mystic and New London culture during her years as a Connecticut College student. She will be reading new work, including poems from her recent collection Ladies’ Abecedary (Harbor Editions, 2021), and discussing how the various art forms of female identity-assertion in the 1990s (from pop music to photography to politics) influence her approach to writing in the current moment.

    Michelle Gemma, owner of Mystic Army Navy in Downtown Mystic. She became a fine art photographer and contributed to the iconic Mason’s Stoup and the Root of Twinkle, as well as being a founding member of Greenman Collective, where she housed her darkroom throughout the 1990s. She will discuss the impact of the Root of Twinkle on the Mystic art scene, and read from her forthcoming photography book, and show her most recent artistic creation: WEATHERALL- a music video which highlights the dance culture in Mystic in the 1990s.

    Stephen Chupaska, writer, reporter, and producer. A member of The Day reporting staff from 2004 to 2011 and a former radio host, Stephen covered arts, culture, and politics in Southeastern Connecticut and San Diego, CA after growing up in the New London and Mystic music scene in the 1990s, including spending hours in front of the bins at Mystic Disc. Now a resident of New York City working as a communications professional, Stephen has developed and performed live storytelling (featured on Netflix and NPR) exploring the humor of ‘90s young adulthood.

    djshecky, one of the house DJs at the famed Mystic dancehall “Mars Hall”, which is featured tonight in the “Weatherall” video production helmed by Michelle Gemma. He hosted a weekly radio show “Radio Post” on WCNI from 1990-1996, honing his layered style of mixing up to six sources into one cohesive mix. In addition, he has produced demo recordings for local bands at his Centraal Studio since 1997, spanning hip-hop, electronica, art rock, and indie rock bands from Mystic.

    This event is free and open to the public.
    Date:
    Thursday Sep 29, 2022
    Time:
    6:00 PM – 8:00 PM
    Contact:
    Michelle Gemma 860-536-1877 mgemmaphoto@gmail.com
    Location:
    Mystic River Park
    http://www.eventkeeper.com/mars/xpages/xp_newpopevent.cfm

  • SIXTH of JANUARY

    they arrived, with pitchforks at the ready, to change the vote.

    the corporals and captains had an attack planned out.

    the floorplan of congress was in our public domain, security forces

    had become one and the same-  a single moment defined the state of the nation.

    an evident display of tribalism amongst a misappropriation of flags,

    draped over the Capitol steps-  A Confederacy in Process.

    their rally preceding insurrection would expose this selfish process,

    as if there were no other method to counteract an actual vote.

    the assembled crowd who volunteered to be in The District could flag

    their inherent abhorrence toward an hidden agenda that they would spell out.

    as if this call to arms would create a new nation

    of their own making, utilizing their most vicious forces.

    citizens of our Televised Nation  experienced  society in absolute time, the forces

    of the tribe gathered had stormed the steps, their process

    exhorted over bullhorns to a crowd expecting direction toward  a re-born nation.

    multitudes of volunteers worked to secure the vote,

    people who poured over information, and disinformation to out

    an heist of objective political reality, each represented by brandished  flag.

    it was an aggrieved display, and  desecration of the flag

    would be rendered as treasonous sedition. the boat parade that forces

    the vessels upon our river evacuated;  instructed to stay out.

    a distinct attempt at security while the process

    of their gathering threatened to call in to question the vote.

    each citizen would need to declare their confirmation of the nation.

    confrontation within the myth of the American nation

    has always existed, in some form. when people flag

    grievances, the irregularity of equality;  we are told to vote

    despite the evidence of corruption, which  forces

    a re-examination of the entire process,

    wherein the point of completion leaves no one out.

    as it’s initial momentum, stunted by Capitol Police faded out,

    an assassination plot never materialized in the Nations

    Capitol. The Peoples House; a building that affords the process

    of the improbable to be occasionally attainable, where intruders would flag

    The Capitol with propaganda, and untruth, in an attempt to force

    A Cancellation of America. as if all citizens might forget the power of the vote.

    surrounded by symbols of the nation- the staffed flag

    and the wooden gavel, congressional members would return that night, to force

    a delineation-  one person, one vote.

  • the New World

    which America?

    will you ever read this?

    which America?

    will you even read this?

     

    we have seen the darkest side of freedom

    flags on staffs wielded as weapons

    the misinterpretation of Gadsden

    the Battle Flag of Northern Virginia

    co-opted by a misinformed majority

    a context to perpetuate points of view

    that could be only be described as expiring.

     

    who do you want to be, America?

    what is American Exceptionalism?

    is it a Department of Defense masquerading as a

    unique entity, a projection of strength,

    which actually  exists as a social works program.

    ( shhhh, don’t tell anyone….” )

    how does your Socialism feel?

     

    we have seen the Pettus Bridge

    we have persevered beyond Mississippi,

    when it was burning.

    hearing fifteen year old girls in Arkansas

    casually drop the N Word in private

    to musicians from the North

    who were making money in the South,

    led us to leave town, and drive to the next gig

    in Georgia.

     

    we have seen America.

    we have seen the darkest side of freedom.

     

    it is a bomb perpetuated in Oklahoma City

    it is a cult siege in Waco

    it is a White Bronco heading slowly

    down the freeway,

    while helicopters hover in place.

    we have seen Ferguson and Minneapolis,

    Breonna Taylor’s killers

    still walk among us.

     

    we have seen America

    lay waste to the thatch huts,

    to the Baghdad  neighborhoods,

    as clearly as we have seen

    the tank brigades in the hedgerows

    and landing craft on the beachhead.

     

    we have seen the protests-

    to dismantle Wall Street

    to defund the Police

    to dismantle The State

     

    where is the future we all subscribe to?

     

    it is

    American Exceptionalism.

     

     

    Exceptionalism requires a definition of Quality,

    and Maintenance.

     

     

    without maintenance, quality ceases to exist.

    without maintenance, quality ceases to exist.

    without maintenance, quality ceases to exist.

     

    (thematic inspiration from Robert Pirsig)

     

     

     

     

     

     

     

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  • 1 June ~ 7 June 2020

    my birthday this year was monday, 1 June. that day, Trump called for the security forces to “dominate the streets.” defense secretery Esper called for security forces to “dominate the battlespace.”

    gas, meet fire. the images pouring out of the streets were far too succinct to leave in yesterdays newspaper.