WAX and WANE: The Full Moon of February 2021

Hymn to Demeter

The Earth Goddess Demeter went to Eleusis in search of her daughter Persephone, who had been abducted by Hades , God of the Underworld.

Demeter goes in search of Persephone and, during her journey, reveals her secret rites to the people of Eleusis, who had hospitably received her. Her distress at her daughter’s disappearance was said to have diverted her attention from the harvest and caused a famine.

The Mysteries at Eleusis originated in the two-fold story of Demeter’s life—her separation from and reunion with her daughter and her failure to make the queen’s son immortal.

The Mysteries began with the march of the mystai (initiates) in solemn procession from Athens to Eleusis. The rites that they then performed in the Telesterion, or Hall of Initiation, were and remain a secret.

Another important aspect of Demeter was that of a divinity of the underworld; she was worshiped as such at Sparta, and especially at the festival of Chthonia at Hermione in Argolis, where a cow was sacrificed by four old women. The epithets Erinys (“Avenger”) and Melaina (“the Black One”) as applied to Demeter were localized in Arcadia and stress the darker side of her character.

featuring Model: Jane Anderson
all photographs by Michelle Gemma
The Full Snow Moon of February
in Virgo, Honoring the Myths of Seasonal Renewal,
for the Full Moon Photoshoots series
27 February 2021
Norwich, CT  USA

source text: https://www.britannica.com/topic/Demeter

root addendum

widows walk at spicer mansion 1992
delta of venus at the greenman collective nye 1993
lotus at beebee dairy 1994
greenman collective before band rehearsal 1995
jumbalaya at depot house last show august 1996
outside the depot house last show august 1996
greenman collective last show 11 september 1996
portersville live at the mystic disc arts festival august 1998

all photos by michelle gemma
35mm film that i developed and printed at the greenman collective darkroom at taugwonk spur, and later in the darkroom in my backyard in mystic.
check out the root of twinkle volume 6 issue one summer 2020 here on portfire, plus the back issues to see more photographs of mystic life.

New Moon in Gemini

“The numerology on this NEW MOON in Gemini is beautifully dyadic, as we have lots of Gemini in the chart and lots of 2’s; the Sun and Moon are both at 2 degrees in Gemini, and Venus and Mercury are at 20 degrees in Gemini on the 22nd in 2020.
We can see how this reverberated dual reflection aptly plucks the strings of the polarizing vibrations of the times.
But Gemini encompasses more than just the dual nature, and reflects a wide spectrum of perspectives, possibilities and communications.
The Gemini archetype shows us how we can create a kaleidoscope of inclusion with the multiplicities of form, just as is reflected by the very diverse nature of our natural world.”
https://www.mysticmamma.com/new-moon-in-gemini-may-22nd-2020/

featuring Model: Caroline Walz
Watch Hill, RI  USA
Photograph by Michelle Gemma
for the series “Personal Universe”

International Dylan Thomas Day 14 May 2020

An international day to celebrate the life and work of Welsh poet Dylan Thomas, held each year on 14th May, the anniversary of the date when Under Milk Wood was first read on stage at 92Y The Poetry Center, New York in 1953.
“International Dylan Thomas Day gives us a chance each year to celebrate Dylan Thomas’s achievements. There is still the enthusiasm for a national day to mark my grandfather’s life and legacy and we want to keep May 14th as a prominent date on the literary calendar.
Dylan Thomas’s writing has travelled through time – it is as relevant today in our troubled times as when it was written sixty-five years ago. It continues to travel across the globe reaching new audiences everyday. His poetry lives on.
We invite you to tell us about how you are going to mark the day and encourage you, wholeheartedly, to get involved and to love the words.” — Hannah Ellis, Granddaughter of Dylan Thomas
https://www.discoverdylanthomas.com/news-events/international-dylan-thomas-day

The photographer Rollie McKenna was at this 92Y reading of Under Milk Wood, to photograph Dylan Thomas, and she writes this in her autobiography, Rollie McKenna: A Life in Photography (Knopf, 1991),
“Dylan Thomas’s career didn’t truly take off until he ‘hit’ the United States. Readings at the Poetry Center and tours throughout the country where–in his own words–he ‘boomed and fiddled while home was burning,’ all but devoured him. The money he made, so necessary to support his family, passed through his fingers like water. The praise, so addictive, was fleeting. Still, he wanted to read again to his vastly appreciative American audiences and, above all, to write the final ending to his play for voices, Under Milk Wood. 
Frenetic reading tours, sycophant-laden parties and late-night bar-hopping exhausted him, and just an hour before rehearsing the actors for the first New York performance of Under Milk Wood, Dylan was in particularly bad shape.  On arriving at the Poetry Center, he vomited, declared that he could not possibly go on and collapsed in the green room. After half an hour, he was shaken awake.  Pulling himself together, he directed for an astonishing three hours, urging the actors over and over:  ‘Love the words.  Love the words!’  I was so dumbfounded by his recovery that I almost forgot to shoot.
When the night of May 14, 1953, arrived, the theater was packed.  The audience, silent at first, then tittering, finally exploded into laughter on realizing that this was no highbrow affair but a loving, ribald tribute to a village.  Dylan took fifteen curtain calls as tears slipped down his face.”
https://www.nytimes.com/1991/11/17/books/pictures-from-a-life.html

In celebration:
featuring Model: Liz Walz
Stonington, CT  USA
Photograph by Michelle Gemma
for the series “Personal Universe”

NEW MOON in Aries 24 March 2020

New Moon in Aries 24 March 2020
featuring Model: Lehla Cheyenne
as my Aries
First Sign in the Zodiac
First Shoot in my astrological series Personal Universe.
Welcome to the Terrordome:
“I got so much trouble on my mind
Refuse to lose
Here’s your ticket
Hear the drummer get wicked”
Photograph by Michelle Gemma
Stonington Borough, CT  USA

 

Fade Into You

featuring Model: Morgan Vail
as my Cancer
from the Personal Universe series
water signs in Pisces season
15 February 2018

Photograph by Michelle Gemma
“You live your life, you go in shadows
You’ll come apart and you’ll go blind
Some kind of night into your darkness
Colors your eyes with what’s not there”
lyrics from “Fade Into You” by Mazzy Star, from their second album, So Tonight That I Might See, released in 1993.

Just Like Heaven

“Show me, show me, show me how you do that trick?
The one that makes me scream.” she said
“The one that makes me laugh.” she said
And threw her arms around my neck

“Show me how you do it,
And I promise you,
I promise that
I’ll run away with you,
I’ll run away with you.”
Spinning on that dizzy edge
I kissed her face and kissed her head

And dreamed of all the different ways
I had to make her glow

“Why are you so far away?” she said,
“Why won’t you ever know
That I’m in love with you,
That I’m in love with you.”

You
Soft and only
You
Lost and lonely
You
Strange as angels

Dancing in the deepest oceans
Twisting in the water
You’re just like a dream
You’re just like a dream

Daylight licked me into shape
I must have been asleep for days
And moving lips to breathe her name
I opened up my eyes

And found myself alone alone
Alone above a raging sea
That stole the only girl I loved
And drowned her deep inside of me

You
Soft and only
You
Lost and lonely
You
Just like heaven”

featuring Model: Emma Rocherolle
as my Scorpio
from the Personal Universe series v2
v1
https://michellegemmaphotography.com/personal-universe-2/
Photographs by Michelle Gemma
Lords Point, Connecticut USA
inspired by https://www.thecure.com/lyrics/just-like-heaven/

“this is what makes us girls” https://vsco.co/emmarocherolle/images

Waiting in Sagittarius for the Last *FULL MOON* of the year and decade in Gemini

GEMINI 20
A bull stung by a scorpion.
The elaborate ritual of putting yourself through life or death crises to determine what you are made of and how far you are willing to go in this life.
Choosing from expanded faculties the optimal situations to enact this battle royale.
Selecting what is karmically familiar. Variations on old themes involving bondage and freedom.
When you are trapped, caught, stuck, a furious inner force asserts itself and can reconfigure everything. But it is a high-stakes ritual drama and loaded with real dangers.
You must check yourself out in ultimate ways, for there is surging in your blood an impulse toward liberation, which cannot be distorted in any way.
An extraordinary journey through radical tests and trails of an initiatory intensity.
It is all about guts, and stripping away everything but the true inner direction.
And if you must slay and move through illusions on every front, that is just how it is.
You cannot survive any longer on old ways to do it–it is time to welcome the enemy into your very midst and discover that there are no enemies.”
Text  by  ELLIAS LONSDALE © Copyright 2019 published on https://www.mysticmamma.com/full-moon-in-gemini-december-11th-12th-2019/

Photographs by Michelle Gemma
All clothing by Susan Hickman
Models: Caroline Walz, Liz Walz, Alycia de los Santos, Vicki Rock, and Julia Farrar.

1893 Chicago’s Columbian Exposition

1893 Chicago's Columbian Exposition

If we are connected on Twitter, you are probably aware of my year and a half long obsession with the Columbian Exposition. Well, it goes back even further in time but has recently percolated into a new media project.

This year I released a book on the topic via Amazon. Say what you will about their management practices, they allow small-market authors to release indie books in physical and digital formats. I am also preparing to publish it in audiobook format through Audible as well.

If you’d like to get a look at the book, which is full of commentary, images from the event, as well as my own photography from around modern-day Chicago, here is the link to it. It is available in paperback and for Kindle.

I think it’s important to publish your work – as someone once said “real artists ship”.

WAX and WANE: The Full Moon of August 2019

“Give me your eyes
That I might see the blind man kissing my hands
The sun is humming
My head turns to dust as he plays on his knees
As he plays on his knees

And the sand
And the sea grows
I close my eyes
Move slowly through drowning waves
Going away on a strange day

And I laugh as I drift in the wind
Blind
Dancing on a beach of stone
Cherish the faces as they wait for the end
Sudden hush across the water
And we’re here again

And the sand
And the sea grows
I close my eyes
Move slowly through drowning waves
Going away
On a strange day

My head falls backs
And the walls crash down
And the sky
And the impossible
Explode
Held for one moment I remember a song
An impression of sound
Then everything is gone
Forever

A strange day”

“*FULL MOON* in Aquarius alchemizes the cauldron of our humanity. Within this axis, Aquarius (humanitarian) and Leo (Self), we become the change. It’s easy to focus on others, but if we keep our focus on our Self and do what we feel moved to do, we create space for others to be informed and inspired by our actions and be led by their own free will, rather than through any kind of pressure or intimidation. This Aquarius FULL MOON encourages us to witness what is being illuminated and unhinge from the ties of public opinion to continue to unfurl who we truly are. We are in an evolutionary time that is encouraging us to embody our true essence. Everything is shifting right now, and it is a time to access higher mind and take a broad wide view. These are the keys that open the doors to new perception. Our thoughts create our world. That is the frontier.” https://www.mysticmamma.com/astrology-full-moon-in-aquarius-august-15th-2019/  

“The Full Moon in August is called Sturgeon Moon because of the great number of this huge freshwater fish that could once be found in lakes and rivers in North America. Other names for this Full Moon include Grain Moon, Green Corn Moon, Fruit Moon, and Barley Moon, all inspired by various crops that can be harvested in August. The lake sturgeon has a greenish-grey color and a pointed snout with two pairs of whisker-like tactile organs dangling near the mouth. It is sometimes called a “living fossil,” as it belongs to a family of fish that has existed for more than 135 million years. Lake sturgeons are extremely long-lived. The males can reach 55 years, while females can live up to 150 years! And they can grow to be enormous. They are the American continent’s largest fish and can grow to over 2 meters long (6 feet) and weigh around 90 kilos (200 pounds). Lake sturgeons do not only live in lakes; they also live in rivers, but not in the ocean. This monster fish used to be a major part of the ecosystems in North America’s Great Lakes, Hudson Bay, and in the Mississippi River, and they were once found all the way from Canada to Alabama. Today, the lake sturgeon has become one of the rarest fish in North America because of intense overfishing in the 19th century, pollution, and damage to their habitat and breeding grounds due to agriculture and lumbering.” https://www.timeanddate.com/astronomy/moon/sturgeon.html

featuring Model: Hadlai Palmerone
15 August 2019 during the Full Sturgeon Moon of August
Barn Island, Stonington, CT USA
Photographed by Michelle Gemma

featuring lyrics from “A Strange Day”, by the Cure, Pornography, (1982).

“Following the band’s previous album, 1981’s Faith, the non-album single “Charlotte Sometimes” was released. The single, in particular its nightmarish and hallucinatory B-side “Splintered in Her Head”, would hint at what was to come in Pornography. In the words of Robert Smith, regarding the album’s conception, “I had two choices at the time, which were either completely giving in [committing suicide] or making a record of it and getting it out of me”. He also claims he “really thought that was it for the group. I had every intention of signing off. I wanted to make the ultimate ‘fuck off’ record, and then sign off [the band]”. Smith was mentally exhausted during that period of time: “I was in a really depressed frame of mind between 1981 and 1982”. The band “had been touring for about 200 days a year and it all got a bit too much because there was never any time to do anything else”. The band, Smith in particular, wanted to make the album with a different producer than Mike Hedges, who had produced Seventeen Seconds and Faith. According to Lol Tolhurst, Smith and Tolhurst briefly met with the producer Conny Plank at Fiction’s offices in the hopes of having him produce the album since they were both fans of his work with Kraftwerk, however, the group soon settled on Phil Thornalley. Pornography is the last Cure album to feature Lol Tolhurst as the band’s drummer (he then became the band’s keyboardist), and also marked the first time he played keyboards on a Cure release. The album was recorded at RAK Studios from January to April 1982. On the album’s recording sessions, Smith noted “there was a lot of drugs involved”. The band took LSD and drank a lot of alcohol, and to save money, they slept in the office of their record label. The musicians usually turned up at eight, and left at midday looking “fairly deranged”. Smith related: “We had an arrangement with the off-licence up the road, every night they would bring in supplies. We decided we weren’t going to throw anything out. We built this mountain of empties in the corner, a gigantic pile of debris in the corner. It just grew and grew”.  According to Tolhurst, “we wanted to make the ultimate, intense album. I can’t remember exactly why, but we did”.  The recording sessions commenced and concluded in three weeks. Smith noted, “At the time, I lost every friend I had, everyone, without exception, because I was incredibly obnoxious, appalling, self-centered”. He also noted that with the album, he “channelled all the self-destructive elements of my personality into doing something”. Polydor Records, the company in charge of Fiction Records, the label on which the album was released, was initially displeased with the album’s title, which it saw as being potentially offensive. Regarding the album’s musical style, NME reviewer Dave Hill wrote, “The drums, guitars, voice and production style are pressed scrupulously together in a murderous unity of surging, textured mood”. Hill further described it as “Phil Spector in Hell”.  Trouser Press said about the track “A Short Term Effect”: It “stresses ephemeralness with Smith’s echo-laden voice decelerating at the end of each phrase”. Ira Robbins observed that “the song closest to basic pop” is “A Strange Day”: It “has overdubbed backing vocals plus a delineated verse and chorus wrapped in some strangely consonant guitar figures”. The journalist also commented: the song “Cold” “gets the full gothic treatment”, with “grandiose minor-mode organ swells”. Describing the title track, writer Dave McCullough said that it “tries to copy Cabaret Voltaire, all shuddering tape noise”.

Smith said that “the reference point for the record was not Joy Division at all but the first Psychedelic Furs album which had, like, a density of sound, really powerful”. Smith also cited Siouxsie and the Banshees as “a massive influence on me […] They were the group who led me towards doing Pornography. They drew something out of me”. In 1982, Smith also said that the “records he’d take into the bunker after the big bang”, were Desertshore by Nico, Music for Films by Brian Eno, Axis: Bold as Love / Are You Experienced by Jimi Hendrix, Twenty Golden Greats by Frank Sinatra and The Early Piano Works by Erik Satie.” https://en.wikipedia.org/wiki/Pornography_(album)

This post is dedicated to Dan Curland, owner of the Mystic Disc and sponsor of the music-film series showing at Mystic Luxury Cinemas.  The Cure’s “Anniversary 1978 – 2018: Live in Hyde Park London” played at the Mystic Cinema on 11 July 2019, and Curland’s attendance that night introduced him to the Cure for the very first time. https://www.rollingstone.com/music/music-news/the-cure-40th-anniversary-concert-film-841494/
He was moved immensely seeing the film, and the record store has had “Disintegration” and “The Head on the Door” playing on repeat ever since that night. I asked Curland about his recent fascination with the Cure.
MG: What were your first thoughts seeing, hearing and being immersed in the Cure’s anniversary film?
DC:  Even though it was a movie I could feel that opening, the love of the crowd for Robert was so real and immense and the same for Robert to the audience. He just seemed so damn real, humble and then, I did not even know he played guitar, he plays so uniquely, throw into it Simon who is also so charismatic, the power of the drummer, I could not take my eyes off of them obviously Robert is the focal. On stage, one mic, no harmonies, no need for that, he is a troubadour, totally unique. The amazing thing was I knew none of their songs, no lyrics ( Although the way he sings and his emotion I felt like i knew what he was saying) usually I know a song or two, I knew nothing, amazing that he could grab me like that.

MG:  After being convinced for yourself, of the mastery of the sonic and lyrical content of the Cure, what keeps you coming back?
DC:  The incredible songs, lyrics that just blow me away, again even on a record he exudes this beautiful authenticity. I keep going back because once Robert has you that’s it.

MG: I find it really fascinating that you are so into the Cure and I think that your insights are so fresh and refreshing. I think it reminds all of us to give something a chance that you might not initially think is for you. And when you said that your rock band is learning some country songs, that’s pretty interesting. I guess it’s the essence of being human and I’m glad that you’re here to teach us all a little something!!
DC:  We all learn from each other.